That Time of Year
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4.0 • 1 Rating
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- $9.99
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- $9.99
Publisher Description
"Marie NDiaye is so intelligent, so composed, so good, that any description of her work feels like an understatement." —The New York Review of Books
Herman’s wife and child are nowhere to be found, and the weather in the village, perfectly agreeable just days earlier, has taken a sudden turn for the worse. Tourist season is over. It’s time for the vacationing Parisians, Herman and his family included, to abandon their rural getaways and return to normal life. But where has Herman’s family gone? Concerned, he sets out into the oppressive rain and cold for news of their whereabouts. The community he encounters, however, has become alien, practically unrecognizable, and his urgent inquiry, placed in the care of local officials, quickly recedes into the background, shuffled into a deck of labyrinthine bureaucracy and local custom. As time passes, Herman, wittingly and not, becomes one with a society defined by communal surveillance, strange traditions, ghostly apparitions, and a hospitality that verges on mania.
A literary horror story about power and assimilation, That Time of Year marks NDiaye once again as a contemporary master of the psychological novel. Working in the spirit of Leonora Carrington, Victor LaValle, and Kōbō Abe, NDiaye’s novel is a nightmarish vision of otherness, privilege, and social amnesia, told with potent clarity and a heady dose of the weird.
PUBLISHERS WEEKLY
French writer Ndiaye (The Cheffe) serves up a blistering critique of bourgeois French society in this eerie tale. Herman, a Parisian teacher, is on vacation with his family in a remote village, and one stormy evening his wife and child disappear. As he searches for them, his fear for their safety dissipates into numbing frustration as he navigates the complex village gendarmerie and other bureaucracies, where everyone is polite but never truly helpful. He meets Alfred, a low-level bureaucrat who claims Herman will never see his family again unless he becomes a villager, leading Herman to take a room next to Alfred's at an expensive inn, where Herman gradually learns that the villagers' elaborate displays of gentility, such as an extended bow from the innkeeper, mask cruel intentions. Everything Herman once found important his job, family, ambition, even his personal appearance slides away as he loses touch with himself, "no longer troubling to determine the date." Ndiaye pulls off a fascinating group portrait of the town, capturing the shifts in behavior of each character in relation to the power they hold or are beholden to. Her chilling tale offers a powerful chronicle of the failure of one man's will.