Making amends for a tragic accident, a couple fears their good deed is about to be punished in this suspense novel from the “mistress of day-lit terror” (The New York Times).
In a roadside Santa Clara motel, Esther Gardner wakes up to an intruder lurching toward her. No one blames her husband, Tom, for taking him down with a single blow to the head—least of all the stranger himself, an embarrassed real estate broker from Arcadia, who had drunkenly stumbled into the wrong room.
Three days later, the poor man dies of a neglected head injury, leaving his wife, Audrey, and her invalid sister penniless, desperate, and in need of a new home. Overcome with guilt, Tom and Esther invite the women to stay with them. But as the temporary stay stretches into months, Esther can’t shake the disquieting suspicion that their grieving, freeloading guests are up to something.
The sisters’ whispers are starting to sound conspiratorial. Their stories aren’t adding up. And their smiles are beginning to curl with menace. If it’s all in Esther’s over-burdened imagination, that would be understandable. If it isn’t, that could be terrifying.
With eight novels and nearly two dozen short stories adapted for film and television, The Albatross demonstrates once again why Edgar Award–winning Charlotte Armstrong is considered “the American queen of suspense novelists” (New York Telegraph).
Customer ReviewsSee All
It's worth it, but...
The story line is straight forward and direct. The plot develops in a straight line towards the climax. No twists and turns. For me, this read held my attention from start to end. Not the most exciting action though. The language, the setting and the era was, seemingly dated in the 1950's. For me, that made the story a bit aged or dated. At times, the pros seemed a bit confusing as to the exact meaning of the dialogue. I enjoyed this book, but I am not tempted to follow this author's other work.