The Bang-Bang Club, movie tie-in
Snapshots From a Hidden War
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- $11.99
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- $11.99
Publisher Description
The Bang-Bang Club is the story of four young photographers who covered the last years of apartheid, taking many of the most memorable photographs of the period. In this stunning new book, the group's two surviving members recount their political, emotional, and personal journeys through these violent years as South Africa moved toward democracy. Along the way we accompany them on free-lance assignments to other war-torn regions, including the former Yugoslavia and the Sudan, where one member of the group shoots what has become a world-famous photograph of a starving child stalked by a vulture. The boldness that earned the group its nickname, that prompted them to rush headlong into dangerous situations in pursuit of an image, forces them to consider difficult questions that lie at the heart of their work: When does their sense of humanity overwhelm their ambition and professional duties? When do they put aside their cameras and their impartiality and get involved? These are the moral dilemmas that the Bang-Bang Club grappled with on a daily basis.
PUBLISHERS WEEKLY
Four white South African photographers decide to chronicle the years of violence--ostensibly "black on black" violence but actually apartheid-sanctioned violence aimed at destabilizing the ANC--that marked the time from Nelson Mandela's release from prison to the first nonracial elections in their land. Before those years passed, two of them would be dead (one by his own hand), and their lives would be forever changed (" `I was appalled at what they were doing. I was appalled at what I was doing' "). Heard and seen almost entirely through the voice and eyes of Marinovich, this memoir is about, in the words of Archbishop Tutu, the "remarkably cool, no, even cold-blooded" photographers who negotiated a war zone for journalistic gain and not the war itself. Although compelling, their story suffers from a lack of hard-core introspection. Even if the reader can understand the photographers' almost aloof response to the violence and death around them as they seek out bloodbaths and bodies, their manifest coldness (evidenced by both their words and their photographs) remains undeniably disturbing. For example, in one telling scene, after taking pictures of a young man who was killed and burned, Silva takes his friends to see the scene. While they look at the still-smoldering body, a woman comes out from a house nearby and throws a blanket over the body and looks at them in disgust. And when Marinovich and Oosterbroek are injured in a shoot-out, Oosterbroek fatally, their description of the events only accentuates their dispassionate point of view ("the ethic of getting the picture first, then dealing with the rest later"). B&w photos. Radio satellite tour.
