**Finalist for the Washington State Book Award and the Lambda Award in Bisexual Fiction**
"Sexy, fun, serious and unputdownable." —Bethanne Patrick, The Washington Post
“Brazen, brawny, sexy . . . full of unforgettable characters and insatiable appetites. I was riveted. Painstakingly researched and pulsing with adrenaline, Carrasco’s debut will leave you thirsty for more.” —Lyndsay Faye, author of The Gods of Gotham
A vivid, sexy barn burner of a historical crime novel, The Best Bad Things introduces readers to the fiery Alma Rosales—detective, smuggler, spy
It is 1887, and Alma Rosales is on the hunt for stolen opium. Trained in espionage by the Pinkerton Detective Agency—but dismissed for bad behavior and a penchant for going undercover as a man—Alma now works for Delphine Beaumond, the seductive mastermind of a West Coast smuggling ring.
When product goes missing at their Washington Territory outpost, Alma is tasked with tracking the thief and recovering the drugs. In disguise as the scrappy dockworker Jack Camp, this should be easy—once she muscles her way into the local organization, wins the trust of the magnetic local boss and his boys, discovers the turncoat, and keeps them all from uncovering her secrets. All this, while sending coded dispatches to the circling Pinkerton agents to keep them from closing in.
Alma’s enjoying her dangerous game of shifting identities and double crosses as she fights for a promotion and an invitation back into Delphine’s bed. But it’s getting harder and harder to keep her cover stories straight and to know whom to trust. One wrong move and she could be unmasked: as a woman, as a traitor, or as a spy.
A propulsive, sensual tour de force, The Best Bad Things introduces Katrina Carrasco, a bold new voice in crime fiction.
In 1887, former Pinkerton Women's Bureau agent Alma Rosales, the complex heroine of Carrasco's stellar first novel, goes looking for stolen opium in Washington Territory. In order to catch the thief and recover the drugs, she disguises herself as a female ing nue and also as her cocky, pugnacious male alter ego, dockworker Jack Camp. Alma, who hopes to impress her boss and ex-lover Delphine Beaumond, the leader of a West Coast smuggling ring takes passionate joy in bloody confrontation and in her lustful pursuit of both women and men. Carrasco succeeds in coupling a feminist historical that maintains period plausibility with an exploratory queer narrative rarely seen in the crime genre. Even readers uninterested in Alma's identity journey will be impressed by her intelligence and social acumen, and drawn by the constantly shifting politics and well-timed reveals of the plot. Breath-catching pacing, tantalizingly rough-and-tumble characters who are somehow both distasteful and deeply relatable, palpable erotic energy, and powerful storytelling make this a standout.