The Bondboy

Sarah Newbolt enjoyed in her saturnine, brooding way the warmth of April sunshine and the stirring greenery of awakening life now beginning to soften the brown austerity of the dead winter earth. Beside her kitchen wall the pink cones of rhubarb were showing, and the fat buds of the lilacs, which clustered coppicelike in her dooryard, were ready to unlock and flare forth leaves. On the porch with its southern exposure she sat in her low, splint-bottomed rocker, leaning forward, her elbows on her knees. The sun tickled her shoulders through her linsey dress, and pictured her, grotesquely foreshortened, upon the nail-drawn, warped, and beaten floor. Her hands, nursing her cheeks, chin pivoted in their palms, were large and toil-distorted, great-jointed like a man’s, and all the feminine softness with which nature had endowed her seemed to have been overcome by the masculine cast of frame and face which the hardships of her life had developed. She did not seem, crouched there like an old cat warming herself in the first keen fires of spring, conscious of anything about her; of the low house, with its battered eaves, the sprawling rail-fence in front of it, out of which the gate was gone, like a tooth; of the wild bramble of roses, or the generations of honeysuckle which had grown, layer upon layer–the under stratum all dead and brown–over the decaying arbor which led up to the cracked front door. She did not seem conscious that time and poverty had wasted the beauties of that place; that shingles were gone from the outreaching eaves, torn away by March winds; that stones had fallen from the chimney, squatting broad-shouldered at the weathered gable; that panes were missing from the windows, their places supplied by boards and tacked-on cloth, or that pillows crowded into them, making it seem a house that stopped its ears against the unfriendly things which passengers upon the highway might speak of it.