The New York Times bestselling author of Devil's Bridge and renowned former Manhattan prosecutor delivers a mesmerizing Alexandra Cooper novel set at the crossroads of big money, high culture, and murder...
The Bone Vault begins in the Metropolitan Museum of Art's glorious Temple of Dendur, where wealthy donors have gathered to celebrate a controversial new exhibit.
An uneasy mix of scholarship, showbiz, and aggressive marketing, "A Modern Bestiary" will be a joint venture of the Met and the American Museum of Natural History. With its IMAX time trips and Rembrandt refrigerator magnets, the "Bestiary" has raised fierce opposition from some of New York's museum elite. Assistant DA Alexandra Cooper, off duty for the evening, observes the developing tensions with bemused interest until Met director Pierre Thibodaux pulls her aside. He needs her advice. There's an urgent problem out at a loading dock on a New Jersey pier.
A Twelfth Dynasty mummified princess, enclosed for eternity in a huge stone sarcophagus, is about to take a long voyage to Cairo as part of a routine museum exchange. But Cleopatra is missing, and in her place is the not-so-mummified body of a woman many centuries younger than her royal predecessor.
Who is this woman with the small physique, the dark hair, and the shiny barrette? What is her connection, if any, to the rarefied world of priceless art and objects? And how and when did she become entombed in the sarcophagus?
Teaming with cops Mike Chapman and Mercer Wallace, Alex must explore behind the scenes at the elegant but severe Metropolitan, travel uptown to the remote setting of the Cloisters and its medieval trove of funerary art, and on to the massive array of beasts and bones at the Museum of Natural History. Somewhere deep within the bowels of one of these great cultural centers, a killer may wait.
Atmospheric, chilling, and rich with the kind of procedural authenticity that only Linda Fairstein can provide, The Bone Vault is a page-turning tour de force from one of crime writing's brightest stars.
Fairstein's 25-year stint as head of the Sex Crimes Unit in the Manhattan DA's office once again makes for an authoritative and fact-filled mystery (her fifth after The Deadhouse) featuring alter-ego assistant DA Alexandra Cooper. "Coop" is an attractive workaholic in her 30s, ambivalent about her current relationship with an always-on-the-road NBC correspondent. While she's attending a reception at the Metropolitan Museum of Art, new Met director Pierre Thibodaux pulls her aside and asks for help with a recent crisis: a customs security dog found that a Met sarcophagus ready for shipment back to Cairo contained the corpse of a young female researcher from the Cloisters, the Met's medieval branch. Coop calls her usual NYPD sidekick detectives, brash Mike Chapman and burly Mercer Wallace, and the trio sets out to search among the museum's bookish staff and rich benefactors for a killer with a motive. In the meantime, Coop and Chapman, who should be a couple but don't know it yet, lecture one another on ancient history and contemporary law, and place bets on Jeopardy questions. Readers also learn about such subjects as Inuit funeral rituals, the average growth rate for human hair, the habits of stalkers and rapists and modern techniques of sadomasochism. Fairstein has a heavy-handed way of working this information into the dialogue, and the plot resolution strains credibility. Yet the quick-witted Cooper is as likable as ever, and fans of Fairstein's other books will find this satisfying if not standout fare.
Just like the author