The Book of William
How Shakespeare's First Folio Conquered the World
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3.0 • 1 Rating
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- $11.99
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- $11.99
Publisher Description
The first complete collection of Shakespeare's plays was almost never printed. Only the machinations of several wealthy donors and publishers brought it into existence, and even then it was practically unnoticed. Many of the original 750 copies of Shakespeare's First Folio were gone before the turn of the 18th century. But a hundred years later, the greatest plays in English were rediscovered, revamped, and re-publicized, beginning the long and surprising process that secured the legacy of Shakespeare.
Broken down into five sections, each tied to a different location and century, The Book of William explores the curious rise of the First Folio: Frankfurt (17th century), Fleet Street (18th century), the British Museum (19th century), the Folger Shakespeare Library (20th century), and Meisei University of Tokyo (21st century). It recounts the book's remarkable journey, as it lies undiscovered for decades, burns, sinks, is bought and sold, and ultimately, becomes untouchable. Finally, Collins speculates on Shakespeare's cross-cultural future as more and more Folios migrate to Japanese buyers, who are entering their contents into the electronic ether.
PUBLISHERS WEEKLY
Undoubtedly, the Bard himself would be amused to learn all about the fate of the book compiled after his death by fellow actors and colleagues John Heminge and Henry Condell. It was, a collector said recently, "the most important secular work of all time." Collins (Sixpence House), an English professor and NPR regular, is passionate, knowledgeable and sassy in bringing this story to glorious life. Collins divides his work into five acts, leading his reader on a whirlwind trip through the Four Folios eventually printed, into feuds between Alexander Pope and Lewis Theobald and to the opportunistic reach of a financially desperate Dr. Johnson. Over the next 200 years, there are the stories of Henry Clay Folger as well as an ingenious collating machine and related technologies for today's textual scholars. Collins's remarkable voyage through time and across the globe leads to Japan, where the most obsessive collectors of "Sheikusupia" reside. This is for anyone with an interest in how Shakespeare has come down to us, the nature of the book business, the art of editing and the evolution of copyright law. A 20-page "Further Readings" section is by itself a sheer delight.
