The Break
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3,3 • 4 đánh giá
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- 9,99 US$
Lời Giới Thiệu Của Nhà Xuất Bản
Winner of the Amazon.ca First Novel Award and a finalist for the Rogers Writers’ Trust Fiction Prize and the Governor General’s Literary Award, The Break is a stunning and heartbreaking debut novel about a multigenerational Métis–Anishnaabe family dealing with the fallout of a shocking crime in Winnipeg’s North End.
When Stella, a young Métis mother, looks out her window one evening and spots someone in trouble on the Break — a barren field on an isolated strip of land outside her house — she calls the police to alert them to a possible crime.
In a series of shifting narratives, people who are connected, both directly and indirectly, with the victim — police, family, and friends — tell their personal stories leading up to that fateful night. Lou, a social worker, grapples with the departure of her live-in boyfriend. Cheryl, an artist, mourns the premature death of her sister Rain. Paulina, a single mother, struggles to trust her new partner. Phoenix, a homeless teenager, is released from a youth detention centre. Officer Scott, a Métis policeman, feels caught between two worlds as he patrols the city. Through their various perspectives a larger, more comprehensive story about lives of the residents in Winnipeg’s North End is exposed.
A powerful intergenerational family saga, The Break showcases Vermette’s abundant writing talent and positions her as an exciting new voice in Canadian literature.
PUBLISHERS WEEKLY
Vermette's piercing debut novel (following the poetry collection North End Love Songs) begins on a cold, snowy night, when Stella, a young M tis woman, looks out her window and witnesses an attack on a girl out on the Break a tract of isolated land in Winnipeg's North End. Frightened, she calls 911, but the girl and her attackers scatter into the night. The next day, the full weight of the situation is revealed: Emily, the 13-year-old daughter of Stella's cousin Pauline, has been viciously assaulted and raped with a beer bottle. This is not a typical crime story. It is instead a harrowing mosaic, the fragments of which reveal the stories of Emily and her extended family, a young M tis police officer working on the case, as well those of the girls who attacked Emily. The story paints a broad picture of a family separated and brought together again, in different capacities, by varying forms of grief and of another family, that of the perpetrator, shattered in ways seemingly impossible to mend, by drugs, crime and violence. Vermette portrays a wide array of strong, complicated, absolutely believable women, and through them and their hardships offers readers sharp views of race and class issues. This is slice-of-life storytelling at its finest.
