A Recommended Summer Read from
Vanity Fair * New York Post * BBC
The riveting story of a woman convicted of a brutal crime, the prison psychologist who recognizes her as his high-school crush—and the charged reunion that sets off an astonishing chain of events with dangerous consequences for both
As an inmate psychologist at a state prison, Frank Lundquist has had his fair share of surprises. But nothing could possibly prepare him for the day in which his high school object of desire, Miranda Greene, walks into his office for an appointment. Still reeling from the scandal that cost him his Manhattan private practice and landed him in his unglamorous job at Milford Basin Correctional Facility in the first place, Frank knows he has an ethical duty to reassign Miranda’s case. But Miranda is just as beguiling as ever, and he’s insatiably curious: how did a beautiful high school sprinter and the promising daughter of a congressman end up incarcerated for a shocking crime? Even more compelling: though Frank remembers every word Miranda ever spoke to him, she gives no indication of having any idea who he is.
Inside the prison walls, Miranda is desperate and despairing, haunted by memories of a childhood tragedy, grappling with a family legacy of dodgy moral and political choices, and still trying to unwind the disastrous love that led to her downfall. And yet she is also grittily determined to retain some control over her fate. Frank quickly becomes a potent hope for her absolution—and maybe even her escape.
Propulsive and psychologically astute, The Captives is an intimate and gripping meditation on freedom and risk, male and female power, and the urges toward both corruption and redemption that dwell in us all.
Orange Is the New Black meets Gone Girl in this ingenious psychological thriller from Immergut (Private Property). Frank Lundquist, a counselor at the Milford Basin Correctional Facility, has just received a new patient, Miranda Greene, who is serving a 52-year sentence for second-degree murder. It's an ethical dilemma for Frank, who immediately recognizes Miranda as the golden girl who, because he had a crush on her, haunted his high school years. But Miranda doesn't seem to recognize Frank, and after she ends up in the hospital following a failed suicide attempt, Frank hatches a daring scheme to help his former classmate. What follows is a prolonged sequence filled with suspense and irony. Told in alternating chapters from Frank and Miranda's points of view, Immergut burrows inside the heads of her two main characters to dramatize their distinctive pathologies. She also expertly crafts the other characters in the story, including Frank's younger junkie brother, Clyde, and several of Miranda's fellow inmates, who all play an important part in the story's surprising denouement. Immergut's book begins as in incisive psychological portrait of two mismatched individuals and morphs into a nail-biting thriller.