The Catch

NAMED ONE OF THE BEST BOOKS OF THE YEAR (SO FAR) BY THE NEW YORK TIMES

A NEW YORK TIMES BOOK REVIEW BOOK CLUB SELECTION

NAMED ONE OF THE BEST BOOKS OF 2025 by TIME, Kirkus Reviews, and the Chicago Public Library: "Surreal and propulsive... The Catch takes readers on an experimental and wildly emotional journey." (Mahita Gajanan, Time)


Best Books of Summer: Washington Post, TIME, USA Today, Forbes

Most Anticipated Books of 2025: TIME, Publishers Weekly, Lit Hub, We Are Bookish, The Millions and Book Riot

A Belletrist (Emma Roberts) Featured Book

A Prose Hose (Eli Rallo) Book Club Selection


The inaugural novel in the Well-Read Black Girl Books series, The Catch is a darkly whimsical tale of women daring to live and create with impunity.

Twin sisters Clara and Dempsey have always struggled to relate, their familial bond severed after their mother vanished into the Thames. As infants they were adopted into different families, Clara sent to live with a successful, upper-class couple, and Dempsey with a sullen, unaffectionate city councilor. In adulthood, they are content to be all but estranged, until Clara sees a woman who looks exactly like their mother on the streets of London. The catch: this version of Serene, aged not a day, has enjoyed a childless life—the very life, it seems, she might have had if the girls had never been born.


As with most things, Clara and Dempsey cannot see eye to eye on the confounding appearance of this woman. Clara, a celebrity author with a penchant for excessive drinking and one-night stands, is all too willing to welcome the confident and temperamental Serene into her home. But cloistered Dempsey, who makes a modest living doing menial data entry work from the confines of her apartment, is dubious of the whole situation, believing this all to be the insidious ruse of a con woman. Clashing over this stranger who burrows deeper and deeper into their lives, the sisters hurtle toward an altercation that threatens their very existence, forcing them to finally confront their pasts—together.


In her riveting first foray into fiction, Yrsa Daley-Ward conjures a kaleidoscopic multiverse of daughterhood and mother-want, exploring the sacrifices that women must make for self-actualization. The result is a marvel of a debut novel that boldly asks, “How can it ever, ever be a crime to choose yourself?”