In the early 1950s, an eleven-year-old boy in Colombo boards a ship bound for England. At mealtimes he is seated at the “cat’s table”—as far from the Captain’s Table as can be—with a ragtag group of “insignificant” adults and two other boys, Cassius and Ramadhin. As the ship makes its way across the Indian Ocean, through the Suez Canal, into the Mediterranean, the boys tumble from one adventure to another, bursting all over the place like freed mercury. But there are other diversions as well: one man talks with them about jazz and women, another opens the door to the world of literature. The narrator’s elusive, beautiful cousin Emily becomes his confidante, allowing him to see himself “with a distant eye” for the first time, and to feel the first stirring of desire. Another Cat’s Table denizen, the shadowy Miss Lasqueti, is perhaps more than what she seems. And very late every night, the boys spy on a shackled prisoner, his crime and his fate a galvanizing mystery that will haunt them forever.
As the narrative moves between the decks and holds of the ship and the boy’s adult years, it tells a spellbinding story—by turns poignant and electrifying—about the magical, often forbidden, discoveries of childhood and a lifelong journey that begins unexpectedly with a spectacular sea voyage.
In Ondaatje's best novel since his Booker Prize winning The English Patient, an 11-year-old boy sets off on a voyage from Ceylon to London, where his mother awaits. Though Ondaatje tells us firmly in the "Author's Note" that the story is "pure invention," the young boy is also called Michael, was also born in Ceylon, and also grows up to become a writer. This air of the meta adds a gorgeous, modern twist to the timeless story of boys having an awfully big adventure: young Michael meets two children of a similar age on the Oronsay, Cassius and Ramadhin, and together the threesome gets up to all kinds of mischief on the ship, with, and at the expense of, an eccentric set of passengers. But it is Michael's older, beguiling cousin, Emily, also onboard, who allows him glimpses of the man he is to become. As always, Ondaatje's prose is lyrical, but here it is tempered; the result is clean and full of grace, such as in this description of the children having lashed themselves to the deck to experience a particularly violent storm: "our heads were stretched back to try to see how deep the bow would go on its next descent. Our screams unheard, even to each other, even to ourselves, even if the next day our throats were raw from yelling into that hallway of the sea."
Customer ReviewsSee All
The Cat's Table
I really enjoyed this. Imagine what an adventure it would be for an eleven year old boy to sail to a new home on a three week ocean voyage? I enjoyed the setting and all the sub plots. Surprisingly easy reading for an author who is thought to be high brow.
100 Words or Less
As a huge fan of The English Patient, I looked forward to this novel. If anyone reads my reviews, you know this is never a good beginning.
Not that this novel is bad. Far from it. It’s basically I feel the whole immigration, outsider-looking-in, life-as-an-experience from childhood upward saga has been overdone so many times. This novel offers nothing new to that style.
After 100 pages, I gave it a rest. Too familiar and with nothing unique to offer. Too bad. It is so wonderfully written.