The Cleft and Other Odd Tales
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5.0 • 1 Rating
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- $12.99
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- $12.99
Publisher Description
Gahan Wilson is one of the masters of macabre cartooning, ranked with Charles Addams, Edward Gorey, and Gary Larson. He is also a masterful storyteller. From the horror of "blot" to the gentle unease of "Campfire Story," from the classic oral-horror style of "The Marble Boy" to the science fiction scares of "It Twineth Round Thee in Thy Joy," the collection in The Cleft and Other Odd Tales shows Wilson at his very best.
Originally published in Playboy, Omni, and notable anthologies such as Again, Dangerous Visions, Wilson's short fiction is gathered here for the first time. The 24 stories are each accompainied by an original, full-page illustration done especially for this volume.
Gahan Wilson has won two World Fantasy Awards and the Bram Stoker Award for Life Achievement. His most recent cartoon collection is Gahan Wilson's Even Weirder. His latest CD-ROM is Gahan Wilson's The Ultimate Haunted House.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
PUBLISHERS WEEKLY
Though he's better known for his darkly funny cartoon grotesqueries than for his short stories, Wilson has written numerous tales whose weird wit matches that of his drawings. In fact, an aptly odd original illustration accompanies each of the 24 stories--many previously published in Playboy or genre magazines--in this collection, which traces Wilson's writing career from 1962 ("The Book"; "Phyllis") through 1998 ("The Cleft"). Wilson writes in a straightforward, intelligent, anecdotal style that presents an amusingly sinister look at humanity. Many of the stories are first-person narratives told in distinctive character voices, varying from the boyish breathlessness of the graveyard classic "The Marble Boy" to the cattily feminine purr of "Best Friends." In "The Sea Was Wet As Wet Can Be," perhaps the book's most chilling tale, Wilson combines Lewis Carroll, the vapid lives of the well-to-do and genuine horror with impressive originality. There is a strain of social satire in many of the stories, as members of the upper classes often meet unusual--and decidedly unpleasant--fates. In "Them Bleaks," Wilson describes a certain ghoulish item as "a macabre object, without doubt, but it undeniably had a peculiar kind of charm." The same can be said of this collection.
