The Confessions of Max Tivoli
From the bestselling and Pulitzer Prize-winning author of Less comes Andrew Sean Greer's extraordinarily haunting love story The Confessions of Max Tivoli, told in the voice of a man who appears to age backwards.
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We are each the love of someone's life.
So begins The Confessions of Max Tivoli, a heartbreaking love story with a narrator like no other. At his birth, Max's father declares him a "nisse," a creature of Danish myth, as his baby son has the external physical appearance of an old, dying creature. Max grows older like any child, but his physical age appears to go backward--on the outside a very old man, but inside still a fearful child.
The story is told in three acts. First, young Max falls in love with a neighborhood girl, Alice, who ages as normally as any of us. Max, of course, does not; as a young man, he has an older man's body. But his curse is also his blessing: as he gets older, his body grows younger, so each successive time he finds his Alice, she does not recognize him. She takes him for a stranger, and Max is given another chance at love.
Set against the historical backdrop of San Francisco at the turn of the twentieth century, Max's life and confessions question the very nature of time, of appearance and reality, and of love itself. A beautiful and daring feat of the imagination, Andrew Sean Greer's The Confessions of Max Tivoli reveals the world through the eyes of a "monster," a being who confounds the very certainties by which we live and in doing so embodies in extremis what it means to be human.
With a premise straight out of science fiction (or F. Scott Fitzgerald), Greer's second novel plumbs the agonies of misdirected love and the pleasures of nostalgia with gratifying richness. Max Tivoli has aged backwards: born in San Francisco in 1871 looking like a 70-year-old man, he's now nearly 60 and looks 11. Other than this "deformity," the defining feature of Max's life is his epic love for Alice Levy, whom he meets when they are both teens (though he looks 53). Max's middle-aged gentility endears him to Alice's mother and, like an innocent Humbert Humbert, he allows Mrs. Levy to seduce him so that he might be near his love. When he steals a kiss from Alice, the Levys flee. But heartbroken Max gets another chance: when he encounters Alice years later, she does not recognize him, and he lies shamelessly and repeatedly to be near her again. Max's parents, whose marriage is itself another story of Old San Francisco, have advised him to "be what they think you are," and he usually is. But his lifelong friend Hughie Dempsey knows Max's secret, and is intimately connected to the story that unfolds, via Max's written "confessions," in small, explosive revelations. "We are each the love of someone's life," Max begins; it is the implications of that statement, rather than the details of a backward existence, that the novel illuminates. Greer (The Path of Minor Planets) writes marvelously nuanced prose; with its turn-of-the-century lilt and poetic flashes, it is the perfect medium for this weird, mesmerizing and heartbreaking tale.