The Conscript

This is a story book. Instead of following 'Madame Thérèse' with stories celebrating the victories of Napoleon and thus appealing to their compatriots' love of glory and military illusions, MM. Erckmann-Chatrian take up next the tragic and far more significant story of 1812-13. With 'The Conscript' begins their long, sustained, and eloquent sermon against war and war-wagers—the exordium, so to say, of their arraignment of Napoleon for wanton and insatiate love of conquest. 'The Conscript' is certainly one of the most impressive statements of the darker side of the national pursuit of military glory that have ever been made. The first part of the book is taken up with a vivid and pathetic account of the passage of the grande armée through Alsace on its way to Moscow and the Beresina, of the anxious waiting for news of the battles that succeeded, of the first suspicions of disaster and their overwhelming confirmation, of the final rout and awful straggling retreat and return of the great expedition, and its demoralized and harassed entry within the national frontiers once more. The second and major portion narrates the rude surprise of the continuation of warfare and the still more fatal campaign which opened so dubiously with Lutzen and Bautzen, and culminated so disastrously in Leipsic and the capitulation of Paris. Poor Joseph Bertha, who tells the affecting and exciting story, is snatched away from his betrothed and his peaceful trade by the conscription, and his individual experiences in the campaign are as interesting, from the point of view of romance, as their representative nature and his shrewd and simple reflections upon them are historically and philanthropically suggestive. Certainly, war, in the minutiae of its reality, has never been more graphically painted than in 'The Conscript of 1813'.