The Courage to Write
How Writers Transcend Fear
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- $11.99
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- $11.99
Publisher Description
The Courage to Write is an invaluable book and essential reading for anyone who wishes to learn how to write well.
Katherine Anne Porter called courage "the first essential" for a writer. "I have to talk myself into bravery with every sentence," agreed Cynthia Ozick, "sometimes every syllable." E. B. White said he admired anyone who "has the guts to write anything at all."An author who has taught writing for more than thirty years,
In The Courage to Write, Ralph Keyes, an author who has taught writing for more than thirty years, assures us that anxiety is felt by writers at every level, especially when they dare to do their best. He describes the sequence of "courage points" through which all writers must pass, from the challenge of identifying a worthwhile project to the mixture of pride and panic they feel when examining a newly published book or article.
Keyes also offers specifics on how to root out dread of public "performance" and of the judgment of family and friends, make the best use of writers' workshops and conferences, and handle criticism of works in progress. Throughout, he includes the comments of many accomplished writers -- Pat Conroy, Amy Tan, Rita Dove, Isabel Allende, and others -- on how they transcended their own fears to produce great works.
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Keyes (Nice Guys Finish Seventh) here suggests that writerly anxiety is an inevitable and necessary part of the writing process. Drawing on his own experience and that of others (often from Paris Review or PW interviews), he explores the varieties of anxieties, for example, ``page fright''; the pitfalls of putting family and friends into print; and the tension between fear of self-exposure and thirst for attention. In the book's second half, he explores both harnessing and ``finessing'' fear, arguing that ``inner conviction'' is more important than technique. He surveys authors' tics and tricks to get started and the question of circulating works-in-progress. Many writing problems ``are really courage problems,'' Keyes concludes, after suggesting that too many good writers give up too soon. While this book lacks the scope and the personal voice of, say, Anne Lamott's Bird by Bird, its psychological acuity should still help lonely scribblers.