#1 NEW YORK TIMES BESTSELLER • Years after her death, Princess Diana remains a mystery. This "insanely readable and improbably profound" biography (Chicago Tribune) reveals the truth as only famed journalist Tina Brown could tell it.
"The best book on Diana." —The New Yorker
Was she “the people’s princess,” who electrified the world with her beauty and humanitarian missions? Or was she manipulative and media-savvy and nearly brought down the monarchy?
Tina Brown, former Editor-in-Chief of Tatler, England’s glossiest gossip magazine; Vanity Fair; and The New Yorker gives us the answers. Tina knew Diana personally and has far-reaching insight into the royals and the Queen herself.
In The Diana Chronicles, you will meet a formidable female cast and understand as never before the society that shaped them: Diana's sexually charged mother, her scheming grandmother, the stepmother she hated but finally came to terms with, and bad-girl Fergie, her sister-in-law, who concealed wounds of her own.
Most formidable of them all was her mother-in-law, the Queen, whose admiration Diana sought till the day she died. Add Camilla Parker-Bowles, the ultimate "other woman" into this combustible mix, and it's no wonder that Diana broke out of her royal cage into celebrity culture, where she found her own power and used it to devastating effect.
Princess Diana was "the best thing to happen" to the British royals "since the restoration of Charles II," concludes Brown in this dishy biography, and the royal family's error was not realizing that. It's tough to pigeonhole a peacock, but Brown, former editor of Vanity Fair and the New Yorker, tries, calling the late Diana a diva, "a siren of subversion" who "even as a small girl... had been dangerous when hurt." Brown shows how Diana excelled at manipulating the media; her in-laws could only stand by helplessly as she captivated the cameras by batting her eyes or lowering them in her trademark "Shy Di" look. So enamored of herself was Diana, according to Brown, that she claimed not to understand why a certain cardiologist preferred his work at the hospital to seeing after her. Brown interviewed more than 250 people, from Mikhail Baryshnikov (who found the late Princess "so much more beautiful than any photographs or TV") to a friend of Diana's late mother, who says that mum disapproved of her daughter's too hasty royal marriage and tried talking her out of it. In the battle of unpleasant revelations made by both sides in the Di-Charles battles, Brown speculates that Squidgy-gate was the product of MI5 bugging the royal phones. Brown gives her book a tabloid-lingo touch and can fall into melodrama (while everyoneo saw Di's life as a Rodgers and Hammerstein musical, the author says, it "was becoming more like something out of Hitchcock"), but then, given the nature of the subject matter, a little melodrama is entirely fitting. However, the final portrait of Diana as a heroine who broke free of the royal bonds and changed the monarchy forever will be familiar to most readers.
Engaging and entertaining!
Tina Brown's crisp and informed writing make this a fascinating page-turner for anyone who wants insight into why Diana was noteworthy outside of her stunning countenance.