The Dynamite Club
How a bombing in Fin-de-Siecle Paris Ignited the Age of Modern Terror
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5.0 • 2 Ratings
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- $6.99
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- $6.99
Publisher Description
On a February evening in 1894, a young radical intellectual named Emile Henry drank two beers at an upscale Parisian restaurant, then left behind a bomb as a parting gift. This incident, which rocked the French capital, lies at the heart of The Dynamite Club, a mesmerising account of Henry and his cohorts and the war they waged against the bourgeoisie – setting off bombs in public places, killing the president of France, and eventually assassinating President McKinley in 1900.
Paris in the belle é poque was a place of leisure, elegance and power. Newly electrified, the city’ s wide boulevards were lined with posh department stores and outdoor café s. But prosperity was limited to a few. Most lived in dire poverty, and workers and intellectuals found common cause in a political Philosophy – anarchism – that embraced the overthrow of the state by any means necessary. Yet in targeting civilians to achieve their ends, the dynamite bombers charted a new course. Seeking martyrdom, believing fervently in their goal, and provoking a massive government reaction that only increased their ranks, these “ evildoers” became, in effect, the first terrorists in modern history.
Surprising and provocative, The Dynamite Club is a brilliantly researched account that illuminates a period of dramatic social and political change – and subtly asks us to reflect upon our own.
John Merriman is the Charles Seymour Professor of History at Yale University. He is the author of the classic History of Modern Europe, among other scholarly works.
PUBLISHERS WEEKLY
Those who think of terrorism as an inexplicable evil produced by an alien culture will have their eyes opened by this fascinating study of 19th-century anarchist terrorists. Yale historian Merriman (History of Modern Europe) tells the story of mile Henry, a well-educated young man from a politically radical family who tossed a bomb into a crowded Paris cafe in 1894. In Merriman's portrait, Henry emerges as an understandable, if not sympathetic, figure a sensitive dreamer whose outrage at the misery of the poor curdled into a fanatical hatred of bourgeois society. He found a home in Europe's percolating anarchist movement, whose adherents celebrated a cult of revolutionary violence and sang hymns to "Lady Dynamite"; their bombings and assassinations set off a wave of panic and police repression. Merriman's account frames an illuminating study of working-class radicalism in belle poque France and its bitter conflict with the establishment in an age when class warfare was no metaphor. It's also an absorbing true crime story, with Dostoyevskian overtones, about high ideals that motivate desperate acts. Photos.
