Cy Parks is the Electric Michelangelo, an artist of extraordinary gifts whose medium happens to be the pliant, shifting canvas of the human body. Fleeing his mother's legacy -- a consumptives' hotel in a fading English seaside resort -- Cy reinvents himself in the incandescent honky-tonk of Coney Island in its heyday between the two world wars. Amid the carnival decadence of freak shows and roller coasters, enchanters and enigmas, scam artists and marks, Cy will find his muse: an enigmatic circus beauty who surrenders her body to his work, but whose soul tantalizingly eludes him.
This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.
Hall's mellifluous coming-of-age story about an apprentice tattoo artist from the north coast of England who reinvents himself in Coney Island, N.Y., is picaresque in its sweep and lovely in its lush description. This 2004 Booker Prize finalist, Hall's second novel (after Haweswater) but first U.S. release, follows Cyril Parks from his youth in the 1910s, as he grows up the only son of the widowed proprietor of the Bayview Hotel in Morecambe, through his hard-won apprenticeship to the seedy rogue Eliot Riley, under whose exacting tutelage he becomes a skilled tattoo artist. From his benevolent mother, Reeda Parks, who puts up consumptives at her hotel, he learns not to be disgusted by the spectacle of human misery. (Reeda also performs secret abortions and campaigns for women's suffrage.) Upon Reeda and Riley's deaths, Cy takes off for America and plies his trade among the vibrant array of freak shows at Coney Island. By 1940, he meets a local Russian chess champion, Grace, and during the course of their love affair he inscribes 109 eye tattoos all over her body. Hall's writing is pure joy, especially when describing the childhood seaside shenanigans of Cy and his boy pals.