The Fall
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- US$13.99
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- US$13.99
출판사 설명
In this elegant collection, D. Nurkse elegizes a lost father, a foreshortened childhood, and
a young marriage. From the drenched lawns of suburbia to the streets of Brooklyn, he delivers up the small but crucial epiphanies that propel an American coming-of-age and chronicles the development of a tender yet exacting consciousness. As the diversions of childhood prefigure the heartbreak of adulthood, Nurkse captures the exquisite sadness of each small “fall” that carries us further from our early innocence. In the book’s final section, the poet turns to face mortality with a series of stirring poems about illness in midlife. Throughout, Nurkse celebrates the sheer strangeness of our perceptions in a language that is both astute and surpassingly lyrical.
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The official poet laureate of Brooklyn, Nurkse (The Rules of Paradise) has long held a small but loyal readership for his short, quiet poems about dreams, griefs, childhood recollections and surprising urban scenes. This eighth book is his first from a major trade press. It puts the simplicities, short lines and slight surrealisms Nurkse has long used into the work of mourning: most of the poems concern Nurkse's late father, whom he recalls sometimes as a voice from his childhood, sometimes in his last years, and sometimes as a presence from beyond the grave. Often beginning as anecdotes, many slow-paced poems here coalesce around some totemic object or common noun: "shadow," "wind," "dawn," "stone," "body." These tactics suggest, at various points, Robert Bly, Charles Simic and Stanley Kunitz as they were in the late 1960s and '70s; their earlier styles seem closer to Nurkse than Nurkse is to most work now. Sometimes (as with Simic) Nurkse conjures up stark symbolic street corners for his allegories of loss; at other times, they converge at "an imaginary fixed point/ in Flatbush or Central Brooklyn." Though he is most original when least dependent on autobiography, Nurkse concludes with a series of deeply sad poems set in a hospital, or hospitals, where the dramas of serious illness take place, "night after night." Nurkse's moving if sometimes stolid poems of memory also include a Schwinn bicycle, a "First Date" and subsequent romances, and several games of baseball: playing "Left Field," Nurkse's speaker "was proudest of my skill/ at standing alone in the darkness."
