The Fixers The Fixers

The Fixers

Eddie Mannix, Howard Strickling and the MGM Publicity Machine

    • 4.0 • 18 Ratings
    • $9.99
    • $9.99

Publisher Description

Eddie Mannix and Howard Strickling are virtually unknown outside of Hollywood and little-remembered even there, but as General Manager and Head of Publicity for Metro-Goldwyn-Mayer Studios, they lorded over all the stars in Hollywood's golden age from the 1920s through the 1940s--including legends like Garbo, Dietrich, Gable and Garland. When MGM stars found themselves in trouble, it was Eddie and Howard who took care of them--solved their problems, hid their crimes, and kept their secrets. They were "the Fixers." At a time when image meant everything and the stars were worth millions to the studios that owned them, Mannix and Strickling were the most important men at MGM. Through a complex web of contacts in every arena, from reporters and doctors to corrupt police and district attorneys, they covered up some of the most notorious crimes and scandals in Hollywood history, keeping stars out of jail and, more importantly, their names out of the papers. They handled problems as diverse as the murder of Paul Bern (husband of MGM's biggest star, Jean Harlow), the studio-directed drug addictions of Judy Garland, the murder of Ted Healy (creator of The Three Stooges) at the hands of Wallace Beery, and arranging for an unmarried Loretta Young to adopt her own child--a child fathered by a married Clark Gable.

   Through exhaustive research and interviews with contemporaries, this is the never-before-told story of Eddie Mannix and Howard Strickling. The dual biography describes how a mob-related New Jersey laborer and the quiet son of a grocer became the most powerful men at the biggest studio in the world.

GENRE
Arts & Entertainment
RELEASED
2004
November 29
LANGUAGE
EN
English
LENGTH
325
Pages
PUBLISHER
McFarland
SELLER
McFarland & Company Inc.
SIZE
4.8
MB

Customer Reviews

Hudsucker2 ,

Hail, Caesar, Indeed

If you’re a fan of the Coen Bros. “Hail, Caesar”, you already know about the Josh Brolin Eddie Mannix, but this book’s revelations illustrate how beautifully the Coens did their homework to recreate the studio era and its players. That was my favorite part of the book.

I only had a couple of beefs. For example, the way this is written, practically everyone in old Hollywood was gay or bi. Maybe these stars were cited to show the kind of “trouble” the fixers were asked to eliminate, but reading about all those people in succession really bored me after a while. (To their credit, their “outing” didn’t diminish my love and respect for their timeless performances.)

The other thing I disliked was the author interjecting his theories and opinions into some of the stories rather than sticking to the facts. I don’t care who he thinks killed George Reeves; I just wanted to read an account of the case and the behavior of the people who were there.

Overall, if you’re into old Hollywood or, like me, treasure “Hail, Caesar”, I’d say give this a spin.

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