The Golem of Brooklyn
A Novel
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- $7.99
Publisher Description
The dazzlingly imaginative, ferociously funny story of an art teacher, a bodega clerk, and a five-thousand-year-old clay crisis monster, from the author of the #1 New York Times bestseller Go the F**k to Sleep.
“A devastating romp through history, a bonkers road trip through America, this novel could not be any funnier—or any more important.”—W. Kamau Bell
In Ashkenazi Jewish folklore, a golem is a humanoid being created out of mud or clay and animated through secret prayers. Its sole purpose is to defend the Jewish people against the immediate threat of violence. It is always a rabbi who makes a golem, and always in a time of crisis.
But Len Bronstein is no rabbi—he’s a Brooklyn art teacher who steals a large quantity of clay from his school, gets extremely stoned, and manages to bring his creation to life despite knowing little about Judaism and even less about golems. Unable to communicate with his nine-foot-six, four hundred-pound, Yiddish-speaking guest, Len enlists a bodega clerk and ex-Hasid named Miri Apfelbaum to translate.
Eventually, The Golem learns English by binge-watching Curb Your Enthusiasm after ingesting a massive amount of LSD and reveals that he is a creature with an ancestral memory; he recalls every previous iteration of himself, making The Golem a repository of Jewish history and trauma. He demands to know what crisis has prompted his re-creation and whom must he destroy. When Miri shows him a video of white nationalists marching and chanting “Jews will not replace us,” the answer becomes clear.
The Golem of Brooklyn is an epic romp through Jewish history and the American present that wrestles with the deepest questions of our humanity—the conflicts between faith and skepticism, tribalism and interdependence, and vengeance and healing.
PUBLISHERS WEEKLY
The funny, if slight, latest from Mansbach (Go the F**k to Sleep) stretches its premise gossamer thin. Len Bronstein, a Brooklyn Heights art teacher on summer break, sculpts a nine-foot-tall statue of a golem out of clay while stoned. Once the statue comes to life, Len recruits local bodega cashier Miri Apfelbaum, herself a former member of an ultrareligious Jewish sect, to help translate the golem's Yiddish, though the golem quickly learns English via reruns of Curb Your Enthusiasm ("Larry David remind The Golem of Hillel," the Golem muses). The creature explains his mission to protect the Jewish community, and after Miri shows him clips from the 2017 Unite the Right rally in Charlottesville, Va., the golem insists on attending a similar upcoming gathering in Kentucky. Len and Miri oblige, but as they transport the golem, they begin to fret about the creature's bloodlust. Mansbach's writing works best when his characters wrestle with the concept of violence, weighing pros and cons of letting the golem tear through a crowd of racists. Too often, however, the story gets mired in tangents, from the long synopsis of Len's failed novel to the multipage poem excerpt that nods to Mansbach's 2009 novel, The End of the Jews. These interludes act as filler, padding the slender narrative and delaying its cathartic conclusion. This is a case where the punch lines outweigh the message.