Jennifer Weiner's talent shines like never before in this collection of short stories, following the tender, and often hilarious, progress of love and relationships over the course of a lifetime. From a teenager coming to terms with her father's disappearance to a widow accepting two young women into her home, Weiner's eleven stories explore those transformative moments in our every day.
We meet Marlie Davidow, home alone with her new baby late one Friday night, when she wanders onto her ex's online wedding registry and wonders what if she had wound up with the guy not taken. We stumble on Good in Bed's Bruce Guberman, liquored-up and ready for anything on the night of his best friend's bachelor party, until stealing his girlfriend's tiny rat terrier becomes more complicated than he'd planned. We find Jessica Norton listing her beloved New York City apartment in the hope of winning her broker's heart. And we follow an unlikely friendship between two very different new mothers, and the choices that bring them together -- and pull them apart.
The Guy Not Taken demonstrates Weiner's amazing ability to create characters who "feel like they could be your best friend" (Janet Maslin) and to find hope and humor, longing and love in the hidden corners of our common experiences.
This collection of 11 stories written over the past 15 years reads like a series of studies for Weiner's larger chick lit portraits. As in the novels (Goodnight Nobody; Good in Bed), smart, acerbic, 30-something women battle dating damage and broken childhoods (absent fathers in particular) in order to build their own families or to convince themselves they still want to. In "The Wedding Bed," a new bride realizes, "I thought that every story I would tell for the rest of my life will somehow be about this: about the man who left and never came back." "Mother's Hour" tightly focuses on new toddler trauma as experienced by first-time mothers and shows how motherhood can be another conduit for woman-to-woman envy and suspicion. In "Swim," sometime scriptwriter and obsessive swimmer Ruth, her face scarred from the car accident in which her parents died, must eschew the verbal "edge" she finds so compelling in men in order to find love. One roots for Weiner's characters as they come to terms and in some cases, heal from disappointment and neglect.
The guy not taken
Hated it. The characters are one dimensional, doormats. Made me depressed and wanting to scream. Didn’t finish it, and I ALWAYS finish books