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Publisher Description

The Ephrussis were a grand banking family, as rich and respected as the Rothschilds, who "burned like a comet" in nineteenth-century Paris and Vienna society. Yet by the end of World War II, almost the only thing remaining of their vast empire was a collection of 264 wood and ivory carvings, none of them larger than a matchbox.

The renowned ceramicist Edmund de Waal became the fifth generation to inherit this small and exquisite collection of netsuke. Entranced by their beauty and mystery, he determined to trace the story of his family through the story of the collection.

The netsuke—drunken monks, almost-ripe plums, snarling tigers—were gathered by Charles Ephrussi at the height of the Parisian rage for all things Japanese. Charles had shunned the place set aside for him in the family business to make a study of art, and of beautiful living. An early supporter of the Impressionists, he appears, oddly formal in a top hat, in Renoir's Luncheon of the Boating Party. Marcel Proust studied Charles closely enough to use him as a model for the aesthete and lover Swann in Remembrance of Things Past.

Charles gave the carvings as a wedding gift to his cousin Viktor in Vienna; his children were allowed to play with one netsuke each while they watched their mother, the Baroness Emmy, dress for ball after ball. Her older daughter grew up to disdain fashionable society. Longing to write, she struck up a correspondence with Rilke, who encouraged her in her poetry.

The Anschluss changed their world beyond recognition. Ephrussi and his cosmopolitan family were imprisoned or scattered, and Hitler's theorist on the "Jewish question" appropriated their magnificent palace on the Ringstrasse. A library of priceless books and a collection of Old Master paintings were confiscated by the Nazis. But the netsuke were smuggled away by a loyal maid, Anna, and hidden in her straw mattress. Years after the war, she would find a way to return them to the family she'd served even in their exile.

In The Hare with Amber Eyes, Edmund de Waal unfolds the story of a remarkable family and a tumultuous century. Sweeping yet intimate, it is a highly original meditation on art, history, and family, as elegant and precise as the netsuke themselves.

Biographies & Memoirs
August 31
Farrar, Straus and Giroux

Customer Reviews

Fpiano ,

Really Interesting

Since the author inherited the netsuke collection and some family history you might expect this book to be good. Add to that all the research he did and the wonderful writing skills and you've got a great and fun to read book. Like three degrees of separation from a ton of very famous people.

norbuls ,

An Elegant Sojourn

How reassuring for some of us for de Waal to confirm the importance of collecting things over time for the glue those collections provide a family's many generations.

"Hare..." is an elegantly composed paeon to collecting and an elegiac memoir of a spectacularly Successful 19th century Jewish
Family, its dissolution through Nazism, and its ultimate resurrection.

Written in brilliant prose " Hare..." describes an aesthetic that will capture you throughout. And, Its
descriptions of the Anschluss are unique.

schultemiam ,

The Hare with Amber Eyes

This book is the complete companion for the cultural history of Paris 1871- 1898 and post fin-de-siècle Vienna; the death of liberalism and the era of Facism followed by complete assimilation. It also demonstrates how we mourn greater for the losses suffered by the oligarchy than the suffering of the masses. A beautifully well written family history which tells us more about ourselves than we care to acknowledge.

Miami Music Fan

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