The Hidden Machinery: Essays on Writing
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5.0 • 1 Rating
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- $9.99
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- $9.99
Publisher Description
A masterclass for those who love reading literature and for those who aspire to write it.
“Read everything that is good for the good of your soul. Then learn to read as a writer, to search out that hidden machinery, which it is the business of art to conceal and the business of the apprentice to comprehend.”
In The Hidden Machinery, critically acclaimed and New York Times bestselling author Margot Livesey offers a masterclass for those who love reading literature and for those who aspire to write it. Through close readings, arguments about craft, and personal essay, Livesey delves into the inner workings of fiction and considers how our stories and novels benefit from paying close attention to both great works of literature and to our own individual experiences. Her essays range in subject matter from navigating the shoals of research to creating characters that walk off the page, from how Flaubert came to write his first novel to how Jane Austen subverted romance in her last one. As much at home on your nightstand as it is in the classroom, The Hidden Machinery will become a book readers and writers return to over and over again.
PUBLISHERS WEEKLY
Livesey (Mercury) writes with wisdom and insight about the craft of writing, proposing to expose what the professional author conceals that the apprentice fiction writer needs to know. This includes how character, plot, and imagery "work together to make an overarching argument" and how the life and times of an author shape a work. Examining writers such as Austen, Flaubert, Shakespeare, and Woolf, Livesey analyzes their techniques, adding insights from E.M. Forster's Aspects of the Novel and John Gardner's The Art of Fiction. Her work yields interesting nuggets of information, such as the importance of secondary characters who can, if needed, spring to life, or the use of objects to reveal emotions. Relying on famous authors makes a compelling strategy, as their work is already familiar to many readers (Livesey's own novels, which she also discusses, will not be quite so well known). The book is skillfully written: one might quibble that Livesey focuses a bit too much on the personal saga of her trials with a critical father and unloving stepmother, but despite that distraction, she offers helpful strategies for thinking about the elusive art of fiction.
