The Hospital
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- $9.99
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- $9.99
Publisher Description
A tour de force: an utterly singular modern Moroccan classic
“When I walked through the large iron gate of the hospital, I must have still been alive…” So begins Ahmed Bouanani’s arresting, hallucinatory 1989 novel The Hospital, appearing for the first time in English translation. Based on Bouanani’s own experiences as a tuberculosis patient, the hospital begins to feel increasingly like a prison or a strange nightmare: the living resemble the dead; bureaucratic angels of death descend to direct traffic, claiming the lives of a motley cast of inmates one by one; childhood memories and fantasies of resurrection flash in and out of the narrator’s consciousness as the hospital transforms before his eyes into an eerie, metaphorical space. Somewhere along the way, the hospital’s iron gate disappears.
Like Sadegh Hedayat’s The Blind Owl, the works of Franz Kafka—or perhaps like Mann’s The Magic Mountain thrown into a meat-grinder—The Hospital is a nosedive into the realms of the imagination, in which a journey to nowhere in particular leads to the most shocking places.
PUBLISHERS WEEKLY
Moroccan filmmaker and writer Bouanani's newly translated mind-bending 1990 work about secluded, chronically ill patients blurs lines between history, Islamic folklore, and nightmares. The unnamed narrator is admitted to a labyrinthine hospital for treatment of an unspecified disease. To survive the tedium of endless days and unexplained but gentle treatments, the narrator chronicles his slightly detached interactions with fellow patients. A timid young man known as Rover drifts through the hospital and into the narrator's nightmares. Another young patient, Guzzler, embellishes his thuggish exploits to cover up his vulnerabilities. The narrator increasingly loses his sense of reality, seeing himself in the afterlife and his own past and overhearing possibly imagined conversations. Moments of irreverent humor, such as old men debating whether medicine is permitted during their Ramadan fast, cut through the genuine terror of patients' sudden deaths and uncertain futures. An ample introduction by Anna Della Subin provides context on Bouanani's life and Moroccan history to help readers understand some of the allusions. The layers of metaphor and surreal imagery create a atmospheric, unresolved tension for fans of compressed, unsettling narratives.
