“See paints a fascinating portrait of a complex and enigmatic society, in which nothing is ever quite as it appears, and of the people, peasant and aristocrat alike, who are bound by its subtle strictures.”—San Diego Union-Tribune
While David Stark is asked to open a law office in Beijing, his lover, detective Liu Hulan, receives an urgent message from an old friend imploring her to investigate the suspicious death of her daughter, who worked for a toy company about to be sold to David’s new client, Tartan Enterprises.
Despite David’s protests, Hulan goes undercover at the toy factory in the rural village of Da Shui, deep in the heart of China. It is a place that forces Hulan to face a past she has long been running from. Once there, rather than finding answers to the girl’s death, Hulan unearths more questions, all of which point to possible crimes committed by David’s client. Suddenly Hulan and David find themselves on opposing sides: One of them is trying to expose a company and unearth a killer, while the other is ethically bound to protect his client. As pressures mount and danger increases, Hulan and David uncover universal truths about good and evil, right and wrong–and the sometimes subtle lines that distinguish them.
Praise for The Interior
“[See] illuminates tradition and change, Western and Eastern cultural differences. . . . All this in the middle of her thriller which is also about greed, corruption, abuse of the disadvantaged, the desperation of those on the bottom of the food chain, and love.”—The Tennessean
“Sophisticated . . . graceful . . . See’s picture of contemporary China’s relationship with the United States is aptly played out through her characters.”—Los Angeles Times
“Immediate, haunting and exquisitely rendered.”—San Francisco Chronicle
As in her debut novel, Flower Net, the strength of See's work here is in her detailed and intimate knowledge of contemporary China, its mores, its peculiar mixture of the traditional and the contemporary, and its often bedeviled relationships with the U.S. Here again are American lawyer David Stark and his Chinese lover, police investigator Liu Hulan; they become involved in the issue of working conditions among women in an American-owned toy factory in rural China--a highly promising and original notion. Stark's law firm wants him to supervise the buyout of the American entrepreneur who launched the toy company, while Liu is called in by the mother of a factory worker who seems to have committed suicide. What actually happened to her, and why? It seems inevitable that the lovers will be pulled in different directions by their opposing interests, and soon Liu has introduced herself into the factory as a worker, while Stark's deal, important to his career, begins to unravel. So far, so good; but as the action becomes increasingly violent, with another girl's sudden death at the factory, gunplay, a deathly sick Liu struggling to survive, and a climactic fire that takes hundreds of lives (a calamity treated almost as an afterthought), it becomes apparent that See has plotting problems. Many story threads seem to disappear, the action scenes are stagy and unconvincing, and the David-Liu relationship never seems to generate much real warmth. A pity, because until the melodrama takes over, much here is original and fresh, an absorbing look at an unfamiliar world.