The Invisible Woman
The Story of Nelly Ternan and Charles Dickens
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3.9 • 13 Ratings
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- $11.99
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- $11.99
Publisher Description
Charles Dickens and Nelly Ternan met in 1857; she was 18, a hard-working actress performing in his production of The Frozen Deep, and he was 45, the most lionized writer in England. Out of their meeting came a love affair that lasted thirteen years and destroyed Dickens’s marriage while effacing Nelly Ternan from the public record.
In this remarkable work of biography and scholarly reconstruction, the acclaimed biographer of Mary Wollstonecraft, Thomas Hardy, Samuel Pepys and Jane Austen rescues Nelly from the shadows of history, not only returning the neglected actress to her rightful place, but also providing a compelling portrait of the great Victorian novelist himself. The result is a thrilling literary detective story and a deeply compassionate work that encompasses all those women who were exiled from the warm, well-lighted parlors of Victorian England.
PUBLISHERS WEEKLY
In a remarkable feat of biographical sleuthing, Tomalin offers the fullest account to date of Charles Dickens's secret 13-year relationship with actress Ellen (``Nelly'') Ternan. She was perhaps 18 when the famous 45-year-old novelist made her a ``fallen woman,'' according to Tomalin, who presents a compelling case that Ternan was his mistress. He could offer neither steady companionship nor marriage, unwilling to jeopardize his virtuous public image with his Victorian readership, even after the affair apparently triggered his separation from his wife, Catherine. Tomalin, biographer of Mary Wollstonecraft and Katherine Mansfield, portrays a frantic Dickens slipping into self-delusion, falsely claiming that his marriage had been awful all along. After his death in 1870, Ternan, who outlived him by 44 years, married a reverend, wrote poetry, became a right-minded Victorian lady and helped maintain the secrecy surounding her association with Dickens. Besides offering a marvelous whirl through the ``disreputable'' world of the theater, Tomalin provides a new slant on Dickens as a writer uncomfortably trapped in his own conventional morality. Photos.
Customer Reviews
Maybe I just wasn’t in the mood for this
I’m a history buff and love Dickens, and normally love historical and period movies. That said, I actually found this so boring that I turned it off halfway through. Beautifully filmed, but just didn’t hold my interest.