The Jungle (Best Navigation, Free AudioBook) (A to Z Classics)
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Publisher Description
With A to Z Classics, discover or rediscover all the classics of literature.
Contains Active Table of Contents (HTML) and in the end of book include a bonus link to the free audiobook.
The Jungle is a 1906 novel written by author and socialist journalist Upton Sinclair. It was written about the corruption of the American meatpacking industry during the early 20th century. The novel depicts in harsh tones the poverty, absence of social programs, unpleasant living and working conditions, and hopelessness prevalent among the "have-nots", which is contrasted with the deeply rooted corruption on the part of the "haves". The sad state of turn-of-the-century labor is placed front and center for the American public to see, suggesting that something needed to be changed to get rid of American "wage slavery". The novel is also an important example of the "muckraking" tradition begun by journalists such as Jacob Riis. Sinclair wanted to persuade his readers that the mainstream American political parties offered little means for progressive change.
Upton Sinclair came to Chicago with the intent of writing The Jungle; he had been given a stipend by the socialist newspaper The Appeal to Reason. Upon his arrival in the lobby of the Chicago Transit House, a hotel near the stockyards, he was quoted as saying, "Hello! I'm Upton Sinclair, and I'm here to write the Uncle Tom's Cabin of the Labor Movement!" (Arthur, 43). He rented living quarters and immediately immersed himself in the city by walking its streets, talking to its people, and taking pictures. One Sunday afternoon, he worked his way into a group of Asian immigrants getting together for a wedding party – "Behold, there was the opening scene of my story, a gift from the gods". He was welcomed to the festivities and stayed until two o'clock in the morning.
The novel was first published in serial form in 1906 by The Appeal to Reason.
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Originally published in 1991 as part of a short-lived revival of the Classics Illustrated line, this adaptation of Sinclair's muckraking socialist novel succeeds because of its powerful images. When Kuper initially drew it, he was already a well-known left-wing comics artist. His unenviable task is condensing a 400-page novel into a mere 48 pages, and, inevitably, much of the narrative drama is lost. Kuper replaces it, however, with unmatched pictorial drama. The story follows Lithuanian immigrant Jurgis Rudkis and his family as they are eaten up and spit out by capitalism (represented by Chicago's packing houses). Kuper uses an innovative full-color stencil technique with the immediacy of graffiti to give Sinclair's story new life. When Jurgis is jailed for beating the rich rapist Connor, a series of panels suffused with a dull, red glow draw readers closer and closer to Jurgis's face, until they see that the glint in his eye is fire. Jurgis, briefly prosperous as a strong-arm man for the Democratic machine, smokes a cigar; the smoke forms an image of his dead son and evicted family. Perhaps most visually dazzling is the cubist riot as strikers battle police amid escaping cattle. Kuper infuses this 1906 novel with the energy of 1980s-era street art and with his own profoundly original graphic innovation, making it a classic in its own right.
