The Jungle
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4.3 • 3 Ratings
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- $1.99
Publisher Description
This edition of Upton Sinclair's 1906 classic has been formatted specifically for iBooks and features a newly designed cover.
The Jungle is a 1906 novel written by journalist Upton Sinclair. Sinclair wrote the novel with the intention of portraying the life of the immigrant in the United States, but readers were more concerned with the large portion of the book pertaining to the corruption of the American meatpacking industry during the early 20th century, and the book is now often interpreted and taught as a journalist's exposure of the poor health conditions in this industry. The novel depicts in harsh tones poverty, absence of social programs, unpleasant living and working conditions, and hopelessness prevalent among the working class, which is contrasted with the deeply-rooted corruption on the part of those in power. Sinclair's observations of the state of turn-of-the-twentieth-century labor were placed front and center for the American public to see, suggesting that something needed to be changed to get rid of American wage slavery.
The novel was first published in serial form in 1905 in the socialist newspaper Appeal to Reason. It was based on undercover work done in 1904: Sinclair spent seven weeks gathering information while working incognito in the meatpacking plants of the Chicago stockyards at the behest of the magazine's publishers. He then started looking for a publisher who would be willing to print it in book form. After five rejections by publishers who found it too shocking for publication, he funded the first printing himself. A shortened version of the novel was published by Doubleday, Page & Company on February 28, 1906 and has been in print ever since.
-- Excerpted from Wikipedia.
PUBLISHERS WEEKLY
Originally published in 1991 as part of a short-lived revival of the Classics Illustrated line, this adaptation of Sinclair's muckraking socialist novel succeeds because of its powerful images. When Kuper initially drew it, he was already a well-known left-wing comics artist. His unenviable task is condensing a 400-page novel into a mere 48 pages, and, inevitably, much of the narrative drama is lost. Kuper replaces it, however, with unmatched pictorial drama. The story follows Lithuanian immigrant Jurgis Rudkis and his family as they are eaten up and spit out by capitalism (represented by Chicago's packing houses). Kuper uses an innovative full-color stencil technique with the immediacy of graffiti to give Sinclair's story new life. When Jurgis is jailed for beating the rich rapist Connor, a series of panels suffused with a dull, red glow draw readers closer and closer to Jurgis's face, until they see that the glint in his eye is fire. Jurgis, briefly prosperous as a strong-arm man for the Democratic machine, smokes a cigar; the smoke forms an image of his dead son and evicted family. Perhaps most visually dazzling is the cubist riot as strikers battle police amid escaping cattle. Kuper infuses this 1906 novel with the energy of 1980s-era street art and with his own profoundly original graphic innovation, making it a classic in its own right.
