“An excellent novel. A lovely and moving portrait of society’s outcasts…affirms the essential humanity of its poor and stubborn residents, for whom each day of survival is a victory” (The New York Times Book Review).
Set on the high ground at the heart of Cape Ann, the village of Dogtown is peopled by widows, orphans, spinsters, scoundrels, whores, free Africans, and “witches.” Among the inhabitants of this hamlet are Black Ruth, who dresses as a man and works as a stonemason; Mrs. Stanley, an imperious madam whose grandson, Sammy, comes of age in her brothel; Oliver Younger, who survives a miserable childhood at the hands of his aunt; and Cornelius Finson, a freed slave. At the center of it all is Judy Rhines, a fiercely independent soul, deeply lonely, who nonetheless builds a life for herself against all imaginable odds.
Rendered in stunning, haunting detail, with Anita Diamant’s keen ear for language and profound compassion for her characters, The Last Days of Dogtown is an extraordinary retelling of a long-forgotten chapter of early American life.
Fans of Diamant's The Red Tent who were disappointed by her sophomore effort (Good Harbor) will be happy to find her back on historical turf in her latest, set in early 1800s Massachusetts. Inspired by the settlement of Dogtown, Diamant reimagines the community of castoffs widows, prostitutes, orphans, African-Americans and ne'er-do-wells all eking out a harsh living in the barren terrain of Cape Ann. Black Ruth, the African woman who dresses like a man and works as a stonemason; Mrs. Stanley, who runs the local brothel, and Judy Rhines, an unmarried white woman whose lover Cornelius is a freed slave, are among Dogtown's inhabitants who are considered suspect even witches by outsiders. Shifting perspectives among the various residents (including the settlement's dogs, who provide comfort to the lonely), Diamant brings the period alive with domestic details and movingly evokes the surprising bonds the outcasts form in their dying days. This chronicle of a dwindling community strikes a consistently melancholy tone readers in search of happy endings won't find any here but Diamant renders these forgotten lives with imagination and sensitivity.