The Last Days of Il Duce
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3.0 • 1 Rating
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- $7.99
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- $7.99
Publisher Description
Domenic Stansberry’s award-winning novel tells the story of Niccolo Jones, a broken-down man plagued by his obsession with his brother Joe’s ex-wife Marie. Set in the old Italian neighborhood of North Beach in San Francisco, the novel flashes back and forth between their childhood days in the 1950s and events thirty years later. The kids are adults now, and everything has changed.
Nick’s story begins when Joe is murdered, igniting in Nick an unquenchable desire for revenge. The crime also awakens Nick’s memories of days gone by, particularly his own illicit feelings for Marie. But the price of passion is as costly now as it was for Nick thirty years ago—for The Last Days of Il Duce is as much about the secrets of the past as it is about the sins of the present.
PUBLISHERS WEEKLY
Stansberry (Spoiler; Exit Paradise) asks this slim book to bear a heavy load of noir trappings. Narrator Niccolo Jones tells his story from prison; the tale he relates, about his obsession with his brother's wife, includes a rich benefactor who turns out to be a villain. But Stansberry also enlivens things with an intriguing picture of Italian fascist activity in San Francisco during WWII and details the relationship between Italian and Chinese residents of the city's venerable North Beach. In the present tense, Niccolo (Nick) tells of his life supervising evictions for a slumlord named Jimmy Wong, drinking too much, visiting Chinese hookers and dreaming about Marie Donnatelli, who was once married to his kid brother, Joe. When Joe is shot through the heart in a druggie neighborhood, an attractive Chinese detective named Leanora Chinn thinks Nick knows more about it than he's telling her. Doing some digging on his own, Nick finds connections among Joe, Jimmy Wong, Marie and a wealthy and charismatic old lawyer named Micaeli Romano. There's also a link to the killing of one of Mussolini's top generals in Reno, Nev., in 1953. Stansberry blends his ingredients with a definite panache, even if the book ultimately leaves a reader feeling a bit fuzzy-headed from all the noir styling.
