The Late Mattia Pascal
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- US$15.99
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"Pascal, a landowner fallen on hard times and trapped in a miserable marriage, runs away from home and wins a lot of money at the gaming tables in Monte Carlo. Meanwhile a body has been found in the millrace of his village and it is assumed that Pascal has killed himself. Seizing what looks like a chance to create a new life, he travels to Rome under an assumed name and struggles to invent a different identity which he can inhabit. He fails, returns home, finds his wife has remarried and has to act out the role of being as it were a living ghost. All these tragic events are recounted with verve and wit and comes across clearly in Simborowski's spirited translation from the Italian." Robert Nye in The Guardian
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Universally recognized as one of the founding figures of modern drama and theater, Pirandello is virtually unknown here as a novelist and short story writer. Written in 1904, this novel touches on some of the themes that reverberate throughout his work: illusion and reality, the enigmas of identity, art and life. The narratorprotagonist is something of a buffoon, a figure out of comic opera, the impoverished son of a once-rich family stripped bare by a villainous swindler of an estate manager. Living a dreary life as an archivist, tired of his dismal marriage, plagued by an intrusive mother-in-law, tormented by creditors, he slips away to Monte Carolo and hits it big. While he is gone, a suicide in his hometown is mistakenly identified as the very same Mattia, who, being an enterprising scamp, changes name and identity, marries anew in adopted territory, fakes his own suicide and returns to the orginal scene as his old self, to the consternation and confusion of everyone. Comedy descends to farce and slapstick here and there; but no harm done. Essentially the novel is a lark, with some shadowy overtones; and the portrait of town lifethe "biographies of worms,'' Mattia saysis drawn in acid.
