The Life of Thomas More
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5.0 • 2 Ratings
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- $13.99
Publisher Description
Peter Ackroyd's The Life of Thomas More is a masterful reconstruction of the life and imagination of one of the most remarkable figures of history. Thomas More (1478-1535) was a renowned statesman; the author of a political fantasy that gave a name to a literary genre and a worldview (Utopia); and, most famously, a Catholic martyr and saint.
Born into the professional classes, Thomas More applied his formidable intellect and well-placed connections to become the most powerful man in England, second only to the king. As much a work of history as a biography, The Life of Thomas More gives an unmatched portrait of the everyday, religious, and intellectual life of the early sixteenth century. In Ackroyd's hands, this renowned "man for all seasons" emerges in the fullness of his complex humanity; we see the unexpected side of his character--such as his preference for bawdy humor--as well as his indisputable moral courage.
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According to Ackroyd (Blake; Hawksmoor), More "embodied the old order of hierarchy and authority at the very moment when it began to collapse all around him." Symbolizing that collapse was Henry VIII's defiance of the pope in the "great matter" of his much-desired divorce of Catherine of Aragon. Refusing to compromise with the break from Rome, More willed his own death. He dies well in Ackroyd's narrative, but he does not live a life as saintly as he leaves it, piously amassing wealth and power, piously writing philosophical works as ambiguous as Utopia and as scatological as Responsio, piously harassing religious reformers and smugly condemning them to the stake. As a biographer of More (the first since 1984), Ackroyd is also an effective novelist. He evokes late-medieval London in sight and in smell; sends More on his workaholic schedule of legal, political, diplomatic and courtly activities; exploits familial and hagiographic anecdotes for their story values; and repeats unscholarly untruths (as Luther's cloacal epiphanies) because fiction can be more colorful than fact. Only Henry VIII in Ackroyd's large cast fails to be realized in the round, but the king, recognizing More's loyal services, does "graciously" reduce his sentence from disemboweling to beheading. After an awkward, conditional start ("But it might be more fruitful to recognise... "/ "...but it might be worth rehearsing certain of its aspects... "/ "It has in the past been noticed... "), Ackroyd's clotted language metamorphoses into elegant English, and the nobility of More's demise will move readers who persist to the end. 27 b&w illustrations not seen by PW. BOMC, History Book Club and QPB selections.
