The Mask Carver's Son
-
-
4.0 • 6 Ratings
-
-
- $4.99
Publisher Description
1890. Yamamoto Kiyoki is a Japanese art student, dreaming of studying in Paris with the inspiring and vibrant Impressionist painters.
Yamamoto Ryusei is Kiyoki’s father. Ryusei’s art, carving intricate masks for traditional Japanese theater, has been his refuge from loneliness since the death of his beloved wife, and he is revered as the most inspired artist of his kind. He expects his only son to honor the traditions of his family and his country, not to be seduced by Western ideas of what is beautiful. Ryusei hopes Kiyoki will follow his own distinguished career, creating masks that will become the family’s crowning achievement.
But what is a father to do when his son’s path is not what he had planned? And how can a son honor his father, and yet fulfill his own destiny?
READERS GUIDE INSIDE
PUBLISHERS WEEKLY
Set in Japan and France in the late 19th century, this haunting first novel, steeped in the author's knowledge of Japanese culture, explores the painful sacrifices in two lives dedicated to art. Master wood-carver Enchi Ryusei has a tortured, estranged relationship with his son, Yamamoto Kiyoki, who defies tradition and becomes a painter in the European style. When Ryusei was a child, his parents died after eating an underripe, poisonous plum that he picked for them. For solace the boy turns to wood carving, and is soon recognized for his talent and encouraged to carve Noh masks. As a young man, Ryusei impresses the revered actor Yamamoto Yuji, with his exquisitely carved masks. Yuji introduces Ryusei to his daughter, whom Ryusei marries. The union is tepid at first, but the couple fall deeply in love shortly before she dies giving birth to Yamamoto Kiyoki. Afraid to love again, Ryusei keeps his distance from his son, allowing his mother-in-law to raise him. Though the boy is expected to carry on the family tradition of carving, Kiyoki breaks his father's heart at 16, when, in the wake of Westernization brought about by the Meiji, he decides to become a Western-style painter. Winning a scholarship to the Tokyo School of Fine Arts, Kiyoki follows his dream, eventually making his way to Paris. He returns to Japan for an exhibition of his work, but it is a resounding failure. Thwarted in his attraction to another man, Kiyoki reenacts the isolated, loveless life his father lived, investing all his passion, pain and desire in his art. This reverent, formal and ambitious first novel boasts a glossy surface and convincing period detail, but Richman's prose keeps the reader at a distance, much like that between the mask carver and his son. The formidable, precise style triumphs over substance, and while characters are lucidly outlined, their depths remain mysterious. FYI: Richman apprenticed with one of Kyoto's most renowned Noh mask carvers.
