The Mummy! A Tale of the Twenty-Second Century
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- $14.99
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- $14.99
Publisher Description
Frankenstein wasn't the only classic horror novel created by a woman.
Within a decade of the 1818 publication of Mary Shelley's Frankenstein, another Englishwoman invented a foundational work of science fiction. Seventeen-year-old Jane Webb Loudon took up the theme of reanimation, moved it three hundred years into the future, and applied it to Cheops, an ancient Egyptian mummy. Unlike Shelley's horrifying, death-dealing monster, this revivified creature bears the wisdom of the ages and is eager to share his insights with humanity. Cheops boards a hot-air balloon and travels to 22nd-century England, where he sets about remedying the ills of a corrupt government.
In recounting Cheops' attempts to put the futuristic society to rights, the young author offers a fascinating portrait of the preoccupations of her own era as well as some remarkably prescient predictions of technological advances. The Mummy! envisions a world in which automatons perform surgery, undersea tunnels connect England and Ireland, weather-control devices provide crop irrigation, and messages are transmitted with the speed of cannonball fire. The first novel to feature the concept of a living mummy, this pioneering tale offers an engaging mix of comedy, politics, and science fiction.
Other books in the Haunted Library of Horror Classics series:
The Phantom of the Opera by Gaston Leroux
The Beetle by Richard Marsh
Vathek by William Beckford
The House on the Borderland by William Hope Hodgson
The Parasite and Other Tales of Terror by Arthur Conan Doyle
Of One Blood by Pauline Hopkins
The King in Yellow by Robert W. Chambers
PUBLISHERS WEEKLY
The latest obscure reissue in the Horror Writers Association's Haunted Library series, this sprawling, far-future satirical novel was first published in 1827 and occupies the same literary terrain between the late gothic and early science fiction as Mary Shelley's Frankenstein. Its plot hinges on the efforts of disinherited British noble Edric Montagu and his mentor, mad scientist Dr. Entwerfen, to reanimate the mummy of the long-interred Pharaoh Cheops of Egypt using a galvanic battery. The experiment succeeds—whereupon the revived Cheops steals the pair's hot-air balloon (the 22nd century's most advanced vehicle for transcontinental travel) and flees Egypt for London. After accidentally causing the death of England's Queen Claudia, Cheops plays the meddling Machiavelli in the selection of the next monarch, setting up Elvira, the queen's legitimate successor (and love interest of Edric's brother, Edmund), to fail in favor of her impetuous cousin, Rosabella. Webb (1807–1858) revels in writing Cheops's stilted, stuffy dialogue as this singularly malignant figure mingles with courtiers and royalty, accepted as a natural extension of their most devious inclinations. Military and court intrigues add to the entertaining, if sometimes overwrought, melodrama. Readers interested in the early evolution of the sci-fi genre should check this out.