A compact masterpiece dedicated to the Russian composer Dmitri Shostakovich: Julian Barnes’s first novel since his best-selling, Man Booker Prize–winning The Sense of an Ending.
In 1936, Shostakovich, just thirty, fears for his livelihood and his life. Stalin, hitherto a distant figure, has taken a sudden interest in his work and denounced his latest opera. Now, certain he will be exiled to Siberia (or, more likely, executed on the spot), Shostakovich reflects on his predicament, his personal history, his parents, various women and wives, his children—and all who are still alive themselves hang in the balance of his fate. And though a stroke of luck prevents him from becoming yet another casualty of the Great Terror, for decades to come he will be held fast under the thumb of despotism: made to represent Soviet values at a cultural conference in New York City, forced into joining the Party and compelled, constantly, to weigh appeasing those in power against the integrity of his music. Barnes elegantly guides us through the trajectory of Shostakovich’s career, at the same time illuminating the tumultuous evolution of the Soviet Union. The result is both a stunning portrait of a relentlessly fascinating man and a brilliant exploration of the meaning of art and its place in society.
APPLE BOOKS REVIEW
We love when a work of fiction helps us understand momentous moments in history. Set in Stalinist Russia, The Noise of Time is the riveting story of composer Dmitri Dmitriyevich Shostakovich and his creative friends. We meet Dmitri sitting outside the door of his apartment, waiting for the secret police to come arrest him as an “enemy of the people.” Man Booker winner Julian Barnes (The Sense of an Ending) maps out his protagonist’s journey through stream-of-consciousness thoughts and recollections. This episodic structure gives the story an immediacy and realness that immediately captivated us—and provides a strong sense of the psychological toll of living under a fearsome regime.
Reviewed by Anthony Marra, Dmitry Shostakovich, the renowned Russian composer and subject of Barnes's magnificent biographical novel, purportedly declared near the end of his life, "The majority of my symphonies are tombstones." The Noise of Time, then, is a journey into the shadows of Shostakovich's personal cemetery, the Soviet Union at midcentury., We meet Shostakovich in 1936, at the onset of Stalin's Great Purge, as he stands by the hallway elevator each night, awaiting his imminent arrest. It's an absurd, desperate attempt to protect to his family by surrendering himself before the security forces reach his apartment. His opera Lady Macbeth of Mtsensk recently received a sharp rebuke in Pravda titled "Muddle Instead of Music," which may have been written by Stalin himself, because "there were enough grammatical errors to suggest the pen of one whose mistakes could never be corrected." In Stalin's Russia, where even the most abstract of the fine arts are potent political expressions, and where one's worth is determined by one's work, this sort of criticism can serve as a death sentence., Shostakovich barely avoids arrest, and we catch up with him every 11 or 12 years. In 1949, he returns from a disastrous trip to New York City as a Soviet delegate to the Cultural and Scientific Congress for World Peace. In 1960, he is in the back of a chauffeured car, having committed moral suicide by becoming a party member. From these scenes of transition, the fragmented narrative delves into Shostakovich's public collusions with and private condemnations of Soviet power. He emerges as a sympathetic, frail, and tragic hero whose self-castigations are far harsher than any judgments the reader will pass., It's curious that a novel stretching across Shostakovich's life would largely omit his experiences in the Second World War, particularly his Seventh "Leningrad" Symphony, which must be among the most mythologized concert premieres of the 20th century. But Barnes is more interested in the political than practical realities of composing. By focusing on Shostakovich's compromises, rather than his compositions, The Noise of Time transcends the singular nature of artistic brilliance to become universal in its exploration of repression and resistance. "He had been as courageous as his nature allowed; but conscience was always there to insist that more courage could have been shown." This is as close to self-forgiveness as Barnes's Shostakovich comes. It's not hard to imagine the sentiment would be shared by anyone who has conceded a portion of his or her soul to totalitarianism in exchange for the right to survive., Novels about artistic achievement rarely do justice to their subjects. What, really, can Irving Stone tell us about Michelangelo's genius that the Sistine Chapel doesn't already amply demonstrate? The Noise of Time is that rarity. It is a novel of tremendous grace and power, giving voice to the complex and troubled man whose music outlasted the state that sought to silence him. , Anthony Marra is the author of The Tsar of Love and Techno and A Constellation of Vital Phenomena (both from Hogarth).
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I’m going to read my first novel by this author. Looking forward to it.
The Noise of Time
$12.99 for 224 pages?