'Highly entertaining' Sunday Times
Midsummer 1601. Nick Revill and his fellow actors in the Chamberlain's Men are journeying across the Wiltshire Downs for a country-house presentation of Shakespeare's A Midsummer Night's Dream.
It should be a pleasant, well-paid jaunt to celebrate a noble marriage, but when the actors arrive at their destination, Instede House, they enter a tense atmosphere. Lord Elcombe is pushing his older son into a marriage that the son seems set against, while in the nearby woods a wild man called Robin talks in riddles of long-hidden family secrets. In another quarter of the great estate lodges a travelling band of fire-and-brimstone morality players called the Paradise Brothers. The first death, when it occurs, looks like suicide, but Nick isn't so sure . . . Then a second murder happens right under his nose . . . and turns the Dream into a nightmare.
The third Shakespearean murder mystery in the Nick Revill series, set during the reign of the formidable Elizabeth I.
Praise for Philip Gooden:
'Another clever criminal plunge into history' Guardian
'The witty narrative, laced with puns and word play so popular in this period, makes this an enjoyable racy tale' Sunday Telegraph
'The book has much in common with the film Shakespeare in Love - full of colourful characters . . . but the book has an underlying darkness' Crime Time
'Historical mystery fans are in for a treat' Publishers Weekly
Welcome to Elizabethan England, where British author Gooden's pale companion will give you a gratifying taste of the danger and excitement of that lusty place and time. In midsummer of 1601, the Chamberlain's Men, a troupe of actors based in London at the Globe, are set to perform a play written by one of their members, young Will Shakespeare, for the marriage of Lord Elcombe's elder son. Nicholas Revill, in his third appearance as a minor actor and major sleuth with the Men (That Sleep of Death; Death of Kings), soon realizes that this Midsummer Night's Dream is turning into a nightmare. During a postprandial stroll through the woods, Nick first becomes aware that there's a "presence" dogging his footsteps. In one form or another this "pale companion" haunts the story, as in "the moon pale companion to our revels" or the couple (one of whom is light, the other dark) that Nick observes in the garden the night before a body is discovered pinned to the sundial by its tapered brass gnomon. Wanting no more pale companions, Nick proceeds to solve the mysteries. Gooden admirably conveys the sense of period and place through accurate details of Elizabethan "business." Hangings were considered great sport, especially in London, where a "Tyburn turn-off" was as good as a party. And the wedding feast is a culinary treasure trove of goodies: conies, manchets, kissing-comfits and Spanish paps. Historical mystery fans are in for a treat.