The Pastor
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5.0 • 1 Rating
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- $15.99
Publisher Description
A major work of contemporary fiction from a “leading light of international literature” (Publishers Weekly, starred review), Hanne Ørstavik, whose last novel, Love, won the PEN Translation Prize.
A thought-provoking, existential novel – as Liv searches for meaning and identity in her own life, she must find the words to connect, comfort and lead others.
Liv, an intense and reticent theologian, moves to a bitterly cold fishing village to take up a post as the church’s new pastor following the death of her friend, Kristiane. In the upper rooms of a large house overlooking the fjord, Liv plans her sermons and studies the violent interplay of Norway’s Christian colonial past. She trails downstairs into the apartment below for dinners and breakfasts with a widow and her two children. As Liv becomes acquainted with the villagers and their own private tragedies, memories bloom in passages that urgently question the unpredictable bedrock of language, and the peculiar channels of imagined experience as it might have been, if only there had been a different set of words, or an outstretched hand.
The past mingles darkly with the present, cascading in chilling images: a dog lying dead in the snowy plains, Kristiane’s teeth flashing as she laughs, a procession of singing, knife-carrying protesters curving along a river’s edge. Martin Aitken’s translation of this extraordinary novel rings with the brilliance and rigor of a master.
PUBLISHERS WEEKLY
In Ørstavik's deeply thoughtful and captivating latest (after Love), a woman spends a year in Kjøllefjord, Norway, as an assistant pastor. Liv arrives from a German city where she'd completed her seminary studies and begun a thesis on a 19th-century Sami rebellion against colonizing missionaries. Her sermons are meant to "ensure the church remained a place of welcoming," but she has a hard time keeping people in their seats. She thinks constantly of her close friend Kristiane from the German university, who died by suicide, for which Liv feels responsible. At Kjøllefjord, she invites grieving widow Nanna and her two daughters to move into a vacant apartment at the parish, and patiently endures the loud music played by Nanna's sullen 19-year-old daughter, Maja. After a young woman hangs herself outside town, Liv is struck with concern for Maja and with acute imaginings of Kristiane's death. Meanwhile, Liv has sexual fantasies about a geologist she meets at a noise show. The various threads shuffle seamlessly in Liv's head and build to a heartbreaking crescendo, filled in with brilliant descriptions of the flat landscape (a church above the fjord sits "brilliantly white... on a dish of darkness"). Ørstavik distinguishes herself as a leading light in international literature.
