The Prettiest Star
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4.4 • 41 Ratings
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- $9.99
Publisher Description
One of 2020's most acclaimed books. Winner of the Southern Book Prize • Winner of the Weatherford Award • A Kirkus Best Fiction Book of 2020 • One of O Magazine’s Best LGBT Books of 2020 • • One of the Women's National Book Association's 2020 Great Group Reads Selections • EW's 50 Most Anticipated Books of 2020 • BookRiot • Lambda Literary's • Salon • BookPage's • Garden & Gun's • Logo NewNowNext's
In this “brutally fresh kind of homecoming novel,” (Entertainment Weekly) Brian Jackson returns to his small Appalachian hometown and the family who rejected him. Carter Sickels’s stunning literary achievement “deserves a place in the canon of AIDS literature alongside the likes of Larry Kramer and Rebecca Makkai” (Los Angeles Review of Books).
The story of Brian’s return to small-town Ohio is told in a chorus of voices: Brian’s mother Sharon; his fourteen-year-old sister, Jess, as she grapples with her brother’s mysterious return; and the video diaries Brian makes to document his final summer. Written in prose that seeks “to answer without flinching away from ugliness and without demonizing the ignorant” (Salon), The Prettiest Star offers an urgent portrait of a family in the center of a national crisis, in order to tell a unique story about the politics and fragility of the body, and to explore the bounds of family and redemption.
PUBLISHERS WEEKLY
A man dying of AIDS returns home to Chester, Ohio, from 1986 New York City in this heartfelt novel from Sickels (The Evening Hour). Brian, a documentary filmmaker whose boyfriend recently died, leaves behind the "ghosts" of the West Village for Chester, "to be seen, to be accepted, and to be loved." As paranoia and fear around the AIDS epidemic escalates, Brian's family finds themselves the targets of malicious gossip and ostracizing, and Brian's presence changes how his sister, Jess; mother, Sharon; father, Travis; and grandmother Lettie relate to each other and to their friends and neighbors. Brian gains additional support from Annie, his best friend from New York and a very out lesbian, who flies to Chester to help brace him from the homophobic taunts endured by him and his family as he documents his experience on video. After Brian feels he's bringing too much trouble to his family, he moves in with a new friend, who eventually invites Brian's grandmother, Lettie, to come and care for him after his condition worsens. Sickels is at his best in his characters' most painful moments, poignantly revealing Lettie's regret of offering Brian too little, too late. This tragic story of AIDS and violent homophobia stands out by showing the transcendent power of queer communities to make their voices endure through art.
