The Quarry
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- $2.99
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- $2.99
Publisher Description
From the Man Booker Prize–winning author of Promise: “[A] spare, intense story of rural South Africa . . . His clear, elemental prose is never generic” (Booklist).
Damon Galgut established himself as a writer of international caliber with the publication of The Good Doctor, which was sold in sixteen countries and was a finalist for the Man Booker Prize and the winner of the Commonwealth Writers Prize for the African region. The Quarry is another stark, intense, and crystalline novel in which human nature betrays itself against the desolate backdrop of rural South Africa.
On a lonely stretch of road a man picks up a hitchhiker. The driver is a minister on his way to a new rural congregation; the passenger is a fugitive. When the minister realizes this, the fugitive kills him. He assumes his vestments and identity, only to discover that one of his first duties as the new minister is to preside over his victim’s funeral. As the fugitive and the local police chief play a tense game of cat and mouse, culminating in a pursuit across the desolate veldt, Damon Galgut gives us a spare, devastating combat for man’s most prized attribute: freedom.
“The Quarry has the same dry, feral quality as Damon Galgut’s best-known novel, The Good Doctor. . . . The issues of guilt, injustice and redemption give the novel a biblical feel. The writing shines in its peripheral vision, in the backdrops and corners of its scenes.” —Susan Salter Reynolds, Los Angeles Times
PUBLISHERS WEEKLY
In a bleak morality tale about a fugitive from justice, Galgut (The Good Doctor) again demonstrates his flair for charting the vicissitudes of human despair in modern-day South Africa. After the unnamed, near-starving protagonist is picked up by a minister traveling to his next church post, he repays the holy man's generosity by murdering him. The desperado quietly slips into the minister's role and tries to assimilate into mainstream society, but his misdeeds continue to dog his every move. If Galgut's concise prose is nearly leached of emotion, it certainly sets the scene: "There was a film of dust on everything in the car as though it had been standing there for years. He stared ahead through the windscreen. There were the corpses of beetles shattered on the glass and their legs and feelers were composed in attitudes of violent expiry." With increasingly stomach-tightening intensity, Galgut chronicles his troubled protagonist's struggles to evade capture under the ever-watchful eye of the authorities in his new town. The suspenseful narrative never strays from the dreary force of its understated character development ("He reached out with his filthy, his bloody hands and began to eat without looking at them"). As the story builds to a climax, Galgut heightens the book's emotional power with tense one-page chapters until justice cosmic justice, in this case comes to call.
