Paul Vermeersch’s new poems give a present-day voice to primitive song, and restore to us a dawn-time severity that cuts through modern evasions. They go beyond sophistication to reveal the passionate and suffering animal within. The Reinvention of the Human Hand is a poetry of the human body’s experience, of a primal being that struggles to assert itself, or perhaps just survive, in a world of metals, plastics, electronics. Here is the most far-reaching work yet by the acclaimed author of Burn, The Fat Kid, and Between the Walls. Vermeersch has always gone in search of understanding. Now his discoveries speak of a human world exhausted by its divorce from an animal past, terrified of retreating into early places it never truly left, astonished by the forgotten possibilities disclosed there.