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Publisher Description

The scandal over modern music has not died down. While paintings by Pablo Picasso and Jackson Pollock sell for a hundred million dollars or more, shocking musical works from Stravinsky's Rite of Spring onward still send ripples of unease through audiences. At the same time, the influence of modern music can be felt everywhere. Avant-garde sounds populate the soundtracks of Hollywood thrillers. Minimalist music has had a huge effect on rock, pop, and dance music from the Velvet Underground onward. Alex Ross, the brilliant music critic for The New Yorker, shines a bright light on this secret world, and shows how it has pervaded every corner of twentieth century life.

The Rest Is Noise takes the reader inside the labyrinth of modern sound. It tells of maverick personalities who have resisted the cult of the classical past, struggled against the indifference of a wide public, and defied the will of dictators. Whether they have charmed audiences with the purest beauty or battered them with the purest noise, composers have always been exuberantly of the present, defying the stereotype of classical music as a dying art.

Ross, in this sweeping and dramatic narrative, takes us from Vienna before the First World War to Paris in the twenties, from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies. We follow the rise of mass culture and mass politics, of dramatic new technologies, of hot and cold wars, of experiments, revolutions, riots, and friendships forged and broken. In the tradition of Simon Schama's The Embarrassment of Riches and Louis Menand's The Metaphysical Club, the end result is not so much a history of twentieth-century music as a history of the twentieth century through its music.

Arts & Entertainment
October 16
Farrar, Straus and Giroux

Customer Reviews

Eclecticperson34 ,

Wonderful book

I learned much of what I know about 20th century music from this spectacular book. This book gives every composer (and reader) a fair chance. You need no background in music to appreciate this masterfully woven tapestry of giants and geniuses. Even if you think you know a lot, this book will be a true delight! I cannot recommend this book highly enough!

Miles T. Swineval ,

Excellent but frustrating

This is a terrific book, but it is very frustrating that several accents, such as the C in Janacek's name, create a paragraph return. Similar problems happen with composers such as Dvorak and Martinu, making the book very clumsy to navigate.

Mahler Lover ,

The Rest is Noise

This is the best book on 20th century music yet written. It is entertaining, comprehensive, and enlightening. A truly outstanding read.

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