Captain Baron, space pilot, is forced to abandon his ship, waiting for a rescue that does not come. Eventually he dies in space, his body frozen and perfectly preserved. Five years later, he is found, and two doctors, Le Maitre and Whitney, restore him to life using an experimental surgical technique.
Returning to Earth, Baron finds that he has been declared legally dead, his commission rescinded, and all his possessions reverted to the State. His only asset is the novelty and notoriety of being a Resurrected Man, and when this is ruthlessly exploited by others, he commits murder and becomes a fugitive from the police. Inspector McMillan enlists the help of Dr. Whitney to track him down, but their task is complicated by the fact that Baron is no longer quite human . . .
British author Titchmarsh (Rosie) brings the art world alive in this engaging romantic drama. In 2007, James "Jamie" Ballantyne reconnects with childhood chum and flame, Artemis "Missy" King, who resurfaces in the showroom of Jamie's auction house in Bath to bid on a painting on behalf of her grandfather. The reunited couple discover that a set of paintings by Sir Alfred James Munnings, owned by Missy's grandfather (himself owner of an established fine art gallery), are fakes. Their investigation reveals a long thread of family secrets and the source of the feud between their two families, revelations that cause the couple to split up. Titchmarsh alternates between the present and the story of Jamie's grandfather, Harry Ballantyne, and Missy's grandmother, Eleanor King, who met as art students at Oxford. The effect is nostalgic and builds anticipation and curiosity in the history of the two families, including the story behind the lost love of their grandparents.