The Return of Faraz Ali
A Novel
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4,3 • 55 notes
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- 13,99 $US
Description de l’éditeur
NAMED A BEST BOOK OF THE YEAR BY THE NEW YORK TIMES AND NPR
WINNER OF THE 2023 L.A. TIMES BOOK PRIZE, ART SEIDENBAUM AWARD FOR FIRST FICTION
“Stunning not only on account of the author’s talent, of which there is clearly plenty, but also in its humanity.” —New York Times Book Review (cover)
Sent back to his birthplace—Lahore’s notorious red-light district—to hush up the murder of a girl, a man finds himself in an unexpected reckoning with his past.
Not since childhood has Faraz returned to the Mohalla, in Lahore’s walled inner city, where women continue to pass down the art of courtesan from mother to daughter. But he still remembers the day he was abducted from the home he shared with his mother and sister there, at the direction of his powerful father, who wanted to give him a chance at a respectable life. Now Wajid, once more dictating his fate from afar, has sent Faraz back to Lahore, installing him as head of the Mohalla police station and charging him with a mission: to cover up the violent death of a young girl.
It should be a simple assignment to carry out in a marginalized community, but for the first time in his career, Faraz finds himself unable to follow orders. As the city assails him with a jumble of memories, he cannot stop asking questions or winding through the walled city’s labyrinthine alleyways chasing the secrets—his family’s and his own—that risk shattering his precariously constructed existence.
Profoundly intimate and propulsive, The Return of Faraz Ali is a spellbindingly assured first novel that poses a timeless question: Whom do we choose to protect, and at what price?
PUBLISHERS WEEKLY
In Ahmad's simmering debut, a Lahore police officer investigates a young girl's death in the city's infamous red-light district in 1968. Faraz Ali is ordered by Wajid Sultan, the chief secretary of Punjab and Faraz's estranged father, to orchestrate a cover-up. To Faraz, the son of a kanjari, or prostitute, the assignment is an opportunity to reconnect with his mother and sister, Rozina, from whom Wajid had him removed as a child and sent to live with relatives. But after Faraz realizes the victim, Sonia, was a kanjari who was killed in the company of several influential men, his determination to seek justice for one of his own despite Wajid's order results in his exile from Lahore. The author does a good job interweaving the characters' personal drama with political unrest in Pakistan, but the constant switches in perspectives and time frames can feel jarring, and the truth behind Sonia's murder is only fleetingly hinted at. Ahmad shines the most in her piercing observations of the marginalized and oppressed: Rozina muses that loss is merely "the condition of a woman's life," while a Bengali officer resigns himself to dying in the fight for his people's independence. It is this keen eye for the vicissitudes of human life that, despite an uneven whole, demonstrates Ahmad's promise.
