ISABEL DALHOUSIE - Book 3
Nothing captures the charm of Edinburgh like the bestselling Isabel Dalhousie series of novels featuring the insatiably curious philosopher and woman detective. Whether investigating a case or a problem of philosophy, the indefatigable Isabel Dalhousie, one of fiction’s most richly developed amateur detectives, is always ready to pursue the answers to all of life’s questions, large and small.
The delectable third installment in the bestselling and already beloved adventures of Isabel Dalhousie and her no-nonsense housekeeper, Grace.
When friends from Dallas arrive in Edinburgh and introduce Isabel to Tom Bruce – a bigwig at home in Texas – several confounding situations unfurl at once. Tom’s young fiancée’s roving eye leads Isabel to believe that money may be the root of her love for Tom. But what, Isabel wonders, is the root of the interest Tom begins to show for Isabel herself? And she can’t forget about her niece, Cat, who’s busy falling for a man whom Isabel suspects of being an incorrigible mama’s boy. Of course Grace and Isabel’s friend Jamie counsel Isabel to stay out of all of it, but there are irresistible philosophical issues at stake – when to tell the truth and when to keep one’s mouth shut, to be precise – and philosophical issues are meat and drink to Isabel Dalhousie, editor of the Review of Applied Ethics. In any case, she’s certain of the ethical basis for a little sleuthing now and again – especially when the problems involve matters of the heart.
The third novel featuring well-to-do and somewhat-nosy philosopher Isabel Dalhousie continues McCall Smith's exploration of the rights and wrongs of everyday life, with Isabel's thoughtful presence providing decidedly more intellectual punch than the No. 1 Ladies' Detective Agency. When Jamie, a young musician, begins to show interest in Isabel, her stirred feelings threaten to overwhelm her even keel, throwing her into ethical crisis. To what degree are our lives dictated by biological imperatives and desires? Does the meaning of art arise from the art itself or its audience? Are white lies permissible, and if so, when? What does the well-off individual owe the homeless man on the corner? Out-of-town visitors to Edinburgh Americans, no less provide further touchstones for all manner of ethical mulling as well as the grist of the book's mystery: does Angie, a young, inscrutable woman betrothed to a wealthy Dallas bachelor, Tom Bruce, have her eyes set on true love or money? At times Isabel's intense dedication to mindfulness borders on the didactic, but love comes to the rescue, nicely illustrating the book's most important philosophical puzzle: how is it that people find real happiness, and what does it have to do with loving rather than thinking?