The Schubert Treatment
A Story of Music and Healing
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- $11.99
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- $11.99
Publisher Description
For readers of Oliver Sacks and Being Mortal by Atul Gawande comes a “shimmery account of performing … for a series of patients with varied afflictions, including the inevitable final one.”—New York Times
A celebrated art therapist plays the cello for her patients—and offers a moving reflection on the extraordinary power of music to enrich our lives, all the way to the very end.
When Claire Oppert plays the cello, miracles happen. Children with profound autism, patients in extreme pain and distress, even people on the threshold of death smile, cry, laugh, sing and dance. “When you play, I’m not sick anymore,” one man tells her. “I feel happy, I feel alive.”
In The Schubert Treatment, Oppert recounts her remarkable story of healing suffering through music, alongside portraits of the many people she has helped. Born into a family of doctors and artists, Oppert trained as a classical cellist and began playing at a center for autistic youth, where she witnessed how music could connect with even the most difficult-to-reach patients. Later, she began working as an art therapist with people with neurodegenerative diseases and palliative care patients, eventually conducting clinical trials that proved the effect of her “Schubert treatment”: using music as a counter-stimulation to reduce pain and anxiety during stressful procedures.
Oppert’s crystalline, lyrical vignettes of the patients whose lives she has touched are punctuated with anecdotes from her own life as a musician, as well as reflections on the meaning of art and the human need for connection and creativity. Compassionate, uplifting, and deeply humane, The Schubert Treatment is a testament to the incredible power of music to heal our bodies, minds, and souls.
PUBLISHERS WEEKLY
Oppert, a classical cellist and art therapist, debuts with a luminous ode to the "mysterious ways music... moves" patients with such conditions as dementia and autism. The author, who inherited a love of music from her doctor father, took up the cello at eight and "fell for the instrument as violently and suddenly as a lightning strike." Following the first concert she ever played, at age 14, a listener told her, "If you were a doctor, you would have healed me." After being trained as an art therapist, Oppert played a Schubert andante in a dementia ward as a "spontaneous experiment" and found that the music relaxed patients. That experience set the stage for what came to be known as the "Schubert treatment," in which live music serves as "sensory counter-stimulation" during painful procedures, decreasing patient pain and anxiety, and improving caregivers' moods. In a narrative interwoven with evocative vignettes of patient experiences ("For a few moments, there is no pain. She can't say it in words, but her entire body announces it"), Oppert gracefully conveys both the power and mystery of music's ability to serve as "a bulwark against absurdity, disease, and death, to try to reach the thing that lies beneath." Assured and lyrical, this impresses.
