The Secret Life of Literature The Secret Life of Literature

The Secret Life of Literature

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    • $24.99

Publisher Description

An innovative account that brings together cognitive science, ethnography, and literary history to examine patterns of “mindreading” in a wide range of literary works.

For over four thousand years, writers have been experimenting with what cognitive scientists call “mindreading”: constantly devising new social contexts for making their audiences imagine complex mental states of characters and narrators. In The Secret Life of Literature, Lisa Zunshine uncovers these mindreading patterns, which have, until now, remained invisible to both readers and critics, in works ranging from The Epic of Gilgamesh to Invisible Man. Bringing together cognitive science, ethnography, and literary studies, this engaging book transforms our understanding of literary history.
 
Central to Zunshine’s argument is the exploration of mental states “embedded” within each other, as, for instance, when Ellison’s Invisible Man is aware of how his white Communist Party comrades pretend not to understand what he means, when they want to reassert their position of power. Paying special attention to how race, class, and gender inform literary embedments, Zunshine contrasts this dynamic with real-life patterns studied by cognitive and social psychologists. She also considers community-specific mindreading values and looks at the rise and migration of embedment patterns across genres and national literary traditions, noting particularly the use of deception, eavesdropping, and shame as plot devices. Finally, she investigates mindreading in children’s literature. Stories for children geared toward different stages of development, she shows, provide cultural scaffolding for initiating young readers into a long-term engagement with the secret life of literature. 
 

GENRE
Science & Nature
RELEASED
2022
March 15
LANGUAGE
EN
English
LENGTH
336
Pages
PUBLISHER
MIT Press
SELLER
Penguin Random House LLC
SIZE
8.5
MB

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More Books by Lisa Zunshine

Why We Read Fiction Why We Read Fiction
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Strange Concepts and the Stories They Make Possible Strange Concepts and the Stories They Make Possible
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Acting Theory and the English Stage, 1700-1830 Volume 3 Acting Theory and the English Stage, 1700-1830 Volume 3
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Acting Theory and the English Stage, 1700-1830 Volume 5 Acting Theory and the English Stage, 1700-1830 Volume 5
2017