The Seduction of Unreason
The Intellectual Romance with Fascism from Nietzsche to Postmodernism, Second Edition
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- $22.99
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- $22.99
Publisher Description
Ever since the shocking revelations of the fascist ties of Martin Heidegger and Paul de Man, postmodernism has been haunted by the specter of a compromised past. In this intellectual genealogy of the postmodern spirit, Richard Wolin shows that postmodernism’s infatuation with fascism has been extensive and widespread. He questions postmodernism’s claim to have inherited the mantle of the Left, suggesting instead that it has long been enamored with the opposite end of the political spectrum. Wolin reveals how, during in the 1930s, C. G. Jung, Hans-Georg Gadamer, Georges Bataille, and Maurice Blanchot were seduced by fascism's promise of political regeneration and how this misapprehension affected the intellectual core of their work. The result is a compelling and unsettling reinterpretation of the history of modern thought. In a new preface, Wolin revisits this illiberal intellectual lineage in light of the contemporary resurgence of political authoritarianism.
PUBLISHERS WEEKLY
While not another Heidegger and the Nazis-type expose, this volume does explore the theoretical underpinnings that many European thinkers provided to the emergence of fascism and probe the historical and biographical parallels between post-modernism and anti-democratic and fascist thought. Wolin, a professor of history and comparative literature at the City University of New York and the author of Heidegger's Children, is a thinker of extraordinary depth and precision, fluent in the language of Continental philosophy's extremes. His accounts of the careers of such thinkers as Jung, Gadamer and Bataille are expertly researched and refreshingly fair-minded. And Wolin's pragmatic hold on contemporary politics shines in his analysis of the rise of the New Right in Europe and its trans-Atlantic ramifications. Closing with a measured attack on the"disillusioned denizens of modern society,"--Derrida, Baudrillard and Zizek among them--Wolin emphasizes the potentially disastrous retrogression of dystopian anti-Americanism into political apathy. His ability to resist the"seductions of unreason" reveal him to be an enduring humanist with a democratic core, one that, he argues, is threatened by partisans of both the traditional right and the postmodern left.