The Shameful State
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- $9.99
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- $9.99
Publisher Description
Set in a fictitious African nation, this novel by the distinguished writer Sony Labou Tansi takes aim at the corruption, degeneracy, violence, and repression of political life in Africa. At the heart of The Shameful State is the story of Colonel Martillimi Lopez, the nation's president, whose eccentricity and whims epitomize the "shameful situation in which humanity has elected to live." Lopez stages a series of grotesque and barbaric events while his nation falls apart. Unable to resist the dictator's will, his desperate citizens are left with nothing but humiliation. The evocation of this deranged world is a showcase for the linguistic and stylistic inventiveness that are the hallmark of Sony Labou Tansi's work.
This first English translation by Dominic Thomas includes a foreword by Congolese writer Alain Mabanckou that contextualizes the novel's importance in literary history and the significance of Sony Labou Tansi for future generations of writers.
PUBLISHERS WEEKLY
Acclaimed late Congolese writer Tansi explores the violence and corruption that has plagued many central African states in this dark and whimsical novel. Set in an unnamed country once colonized by Belgium, the story follows Colonel Martillimi Lopez through his 39 years as president. Under his command the nation falls into a shameful state, eventually leading Martillimi to consider giving up his rule and prompting members of his administration to resign en masse. Many of Martillimi's eccentricities are often comical, but he is still a person who kills a cat for scratching him, and a narcissist who orders dancers to be murdered because they annoy him. He slaughters peaceful hunger strikers with the same force he uses to squelch rebel uprisings and rationalizes it by weighing his crimes against the atrocities committed by other fictional dictators. The names and brutalities described share resemblances to real totalitarian regimes, and this is a sobering reminder to readers that Martillimi might well be a lesser evil when compared to tyrants in modern history. Thomas's translation vibrantly conveys the energy of Tansi's prose. Perspectives switch rapidly among Martillimi's point-of-view, nameless outside observers and victims, and a collective we embodying the voice of the nation. These shifts happen from one line to the next and in a single sentence. The effect is compelling and helps give a wider understanding. This book showcases Tansi's incredible talent and his position, even in death, as one of Africa's important voices.
