The Sinaloa Story
A Novel
-
- $11.99
-
- $11.99
Publisher Description
The Sinaloa Story tells of DelRay Mudo and Ava Varazo, two down-and-outs looking for a reasonable life and maybe even a little redemption in a corrupt and violent world. Ava is a Mexican prostitute, beautiful and no victim of circumstance. When DelRay falls in love with her at the drive-in whorehouse where she is the prize, she seizes the chance to break free. They take off for Sinaloa ,Texas, the lone-dog state where "nothin’ good ever happens." The far-out border flunkies they meet — Thankful Priest, the one-eyed former football player; Indio Desacato, Ava’s pimp and a small-town racketeer; Arkadelphia Quantrill Smith, an octogenarian whose father marched with Shelby in the Iron Brigade; and many others — fill out the sinister and electrifying ride.
PUBLISHERS WEEKLY
Once again, Gifford (Baby Cat-Face, 1995, etc.) depicts protagonists trying to make a brighter life for themselves while betraying lovers and staying one step ahead of homicidal maniacs. When former motorcycle mechanic DelRay Mudo joins up with Ava Varazo, a beautiful but dangerous prostitute, she convinces him to "do something meaningful with his life." In this case, something meaningful involves stealing half a million dollars from Indio Desacato, owner of a thriving bordello in the Texas border town of Sinaloa. Standing in their way is Indio's 380-pound bodyguard, Thankful Priest, a former football player who once gouged out his own eyeball while high on various narcotics. What Ava really wants is to return to her Mexican home of La Villania ("the despicable act") and fund a peasant's revolution, a plan that doesn't necessarily include DelRay. After the showdown at Indio's, the narrative switches to Leander Rhodes, an ex-Marine, and his young wife, Cobra Box, who travel to La Villania to join the revolution. Also in the mix are a white supremacist, a boarding school-educated Italian hooker and a cross-dressing 14-year-old piano player. Like Sailor and Lula of Gifford's previous novels (including Wild at Heart), Delray and Ava can't avoid the violence that surrounds them (nor do they always want to), but, in Gifford's hands, their troubles are elevated to a gritty, visceral poetry of the marginalized.
